A Quote by Amisha Patel
I had to take a break to set up my production company. Managing a production house is a different ballgame. It's not like signing a film and arriving on the set.
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I'm not one of those people who's saying "I'm going to set up a production company", because I like acting and not having to be a business man and do that side of things.
I have set up a production company and I am producing movies in Hollywood and that is going to be my focus.
It fell into my lap. I grew up doing dance classes. And one day, a film production company contacted my dance school looking for background dancers. I wasn't looking for it. It just happened. And I found myself on set. And that was that.
I used to visit one production house every day, and I used to take up auditions even for small roles. Before my debut, I must have auditioned at almost every single production house.
But I did mine through a production company. All the music I did, I gave to the production company. Then the production company would give the record company the album. I used to do all my albums like that. It was fantastic. But now, understand, I have never planned to do anything with these other tapes. The one that are released, like the Virgin Ubiquity you have there, I wasn't going to do anything with that music. One day, I was talking to this guy that owns BBE over in England, and I said I've got some tapes and stuff that you might be interested in, and he went berserk.
You're basically on set to help the production. You're helping the actors make it make sense, or maybe you wrote something that doesn't work in the production sense. Most of it is coming up with jokes.
The effect of metals speculation was to push up the prices that China had to pay to countries like Australia. This squeezed China. Once the speculative demand ended, all of a sudden the added production facilities that had been brought into production by the high prices went out of production again, and there was a glut.
To go to L.A. and be on the Addams Family set? It was beautiful production design and an illustrious set. I'm focused on never losing that sense of privilege. I'm still like, "I'm super lucky."
I really believe that the raw ingredient of any creative business is the set of experiences that the team has, the set of skills. I think a simple fact is that if you have a different set of experiences based on how you grew up or how other people perceive you, or if you have a different set of skills, that will produce a better company.
On the set, I visit the set for a lot of the rehearsals, and there's always a writer on set. And then I'm involved in post-production, very intensely involved in editing, and the sound mix and color timing. Really, I have about nine jobs.
My time on the set is the least of my involvement. Most of my time is in pre-production and post-production.
One thing that is very different technically is that you don't get a lot of coverage in television. Not like you do on a film. I know we don't have time for separate set-ups, so I will design a scene where I'm hiding multiple cameras within that set-up. That way, if I don't have time to do five set-ups, I can do four cameras in one set-up. It's a different kind of approach for that. For the most part, a lot of television, in a visual sense, lacks time for the atmosphere and putting you in a place.
So I think I'll say the obvious thing: theater is ephemeral. When a production is done, it's gone forever. You can take pictures of it. You can make a film of it. But it's not the production. It's not the same thing.
I'm so sleepy most of the time, but I guess it's 'cause I'm constantly doing things and trying to move forward and set up for the master plan. The master plan is to be, like, little baby Oprah, with my own production company, maybe my own channel, inspire millions.
The director makes the movie. The director has to have the story in their head, has to know the style of the piece, has to answer questions from actors, design, set, lighting, every department throughout the pre-production, production, and post-production, because they've got it in their mind. They've got to know exactly what they want and what the style and story of the movie is. It's them. They make it.
I definitely want to start my own production company at some point. I'm actually teaming up with Funny or Die to put together a TV show right now, that I can't really talk about because it's still in the very preliminary stages, but if it pans out this will be the first project under my production company, which I have yet to name.
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