A Quote by Amisha Patel
I would want a sequel to 'Kaho Naa Pyaar Hai.' But more than me, it's the audience who are looking forward to the same.
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The kind of love that people have for Hrithik and me, if there were a 'Kaho Naa Pyaar Hai 2,' the film will get a bumper opening only, for sure.
Till 'Kaho Na Pyaar Hai,' I was involved in everything from casting to scripting. Then I shifted to a separate house.
We've managed a hat trick with 'Kaho Na Pyar Hai,' 'Koi Mil Gaya' and 'Krrish.'
As a standup performer, I'm onstage, and it's important how the audience is looking at me. I'm looking at whether they're leaning forward or not, those types of things. You read an energy. And it's the same thing in a scene with other actors.
Yes, Luv Ranjan and I have a sequel in mind for 'De De Pyaar De.'
I wanted to be an actor since I was three years old; I would dance to Madhuri Dixit's 'Ek do teen' in front of the mirror and recite dialogues from 'Kal Ho Naa Ho,' 'Kabhi Khushi Kabhie Gham... ,' 'Kuch Kuch Hota Hai...'
I like 'Pyaar Ka Dard Hai' on Star Plus. It not only has a good story but good actors as well.
I can't wait for both my daughters to be old enough to read all my books. I loved it every time I saw my parents acting like more than just my parents. And I'm looking forward to that with my daughters too. I am looking forward to having them discover me as someone completely other than their mother.
Very rarely I create things and feel like I don't want to recreate them in a live setting. It's a completely different world, but at the same time that's where I've always come from. Enjoying that give-and-take from a live audience, there's a large part of me that's looking forward to it, and creating that relationship again.
As an actor, you should always keep your trump card hidden from your audience. I want the audience to keep expecting more and more from me. I want to do 'different' work - good and memorable roles - so that audience appreciate me more. That's why I love to surprise my audience with something they never expect me to do.
I do think there's a smaller audience that's looking for something that's a little more adult and a little more nuanced [than many Hollywood movies]. At the same time, I think everyone who's making movies hopes to appeal to the widest audience possible.
For us the acceptance of audience is important, we won't keep making sequel after sequel just for the heck of it.
I am writing a sequel to The Touch because I want to further explore the Chinese question that I have raised. There will be more about that in a sequel.
In my experience, people looking for progress aren't actually looking to move things forward. They're looking to be perceived in a certain way: as a forward thinker. It's about vanity rather than any altruistic motives for the art.
'The Conjuring' was a massive success, and honestly, it set the bar quite high. So I was nervous about making the sequel, and I wasn't sure if it will still have the same impact as the first one did. But that's what moved me to make the sequel.
I would like to get a wider audience. With 'Tiger Zinda Hai' I reached out to Salman Khan's market, through 'Soorma' I can reach out to Diljit's fans. As an actor I want to have my own market too.
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