A Quote by Amit Sadh

I had three scenes in 'Super 30', but I got a good response. — © Amit Sadh
I had three scenes in 'Super 30', but I got a good response.

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In 'Queer as Folk,' we had three or four sex scenes in every episode, so I got used to doing that very early on. Those kinds of scenes can be challenging. They take a bit of time, and everyone's a bit nervous.
When I was on 'The Golden Girls,' we'd have eight scenes per show. And when 'Seinfeld' came along, they went to, like, 30 scenes a show, which was revolutionary. 'Arrested Development' has probably got 60 scenes per show. It just keeps emerging as this more and more complex thing. I always try to keep it very simple at its heart.
There are three types of palate. There's the palate that can't taste anything, there's the normal palate, and there's the Super Palate. I don't think I've got a Super Palate, but it's pretty good.
A good movie is three good scenes and no bad scenes.
I grew up with an Italian family in an era when a woman's path was laid out for her: You got married and had children. Simple, right? Then I got to a point around the age of 30 when I had three little children and was a single mom, and I realized life was not so simple.
I didn't worry if a bit got no response, as long as I believed it had enough response to linger.
I've done a couple of tunes with Kaytranada. 'Got It Good' has had such a great response.
I've got my wife. I've got my four kids. I've got parents, grandparents still, and three really good friends. It's all you need. I'd rather have three really good friends than 20 good friends.
There's an examination for young people to go to university. I failed it three times. I failed a lot. So I applied to 30 different jobs and got rejected. I went for a job with the police; they said, 'You're no good.' I even went to KFC when it came to my city. Twenty-four people went for the job. Twenty-three were accepted.
There are so many family dinners you can do. I eventually had to go to them and say, 'Look, I don't do spatula work. I don't do scenes with oven mitts. If you're looking for that, you've got the wrong guy. I'm not doing scenes about casseroles. It's not happening.
I missed so much of the Swinging Sixties by working. From 1961 to 1969, I got up at 4.30 A.M., a car came for me at 5.30 A.M., and I was taken to our studio at Teddington or Elstree, and we filmed until I got home at 9.30 P.M., five days a week.
I got a little criticism for working with Puff [Daddy] and I got some criticism for doing the special but you have to weigh the good with the bad. I got more of a good response than bad when I did those two things.
I'd just got back from filming my role as Flo in 'Kidnap & Ransom' when I got the news that Channel 4 had re-commissioned 'Fresh Meat,' so I think it was the first Christmas I could actually relax knowing that I had three months' work sorted. As an actor, that's always a good feeling.
Super Junior is not a group who will extinct in two or three years. We will always be with E.L.F. for 20 or 30 years until E.L.F. doesn't need us again.
I tried to make every bit of it as creepy as I could. And I had the same response you do. I feel the same way. The hospital scenes, that procedure was so real.
It was probably in third grade - I had a super-fake gold herringbone chain. Yeah man, it was, like, super fake. I don't remember if it was my mom's or how I got it, but ever since then, I've loved chains. The first real chain I got was from Kanye. It was a Jacob the Jeweler Kanye West Jesus piece.
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