A Quote by Amit Trivedi
Ultimately it's just music - whether I'm catering to the Bollywood audience or the indie audience. I just approach every type of music the way I am, and how my personality is.
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I think you just have to be yourself instead of catering your sound to a specific audience, make the music you want to make, and the audience will find you.
Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room. You've just got to be in the moment and go with it.
In India we are creating mainstream hip hop music, than what real rap music is. The lyrics aren't that personal, since most of the music is catering to Bollywood. It's just trivial. It's a fashion here.
Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room.
I was really sick of bands just ignoring the audience as a posture in rock music. And I think we fed off each other in terms of trying to engage the audience, not in a hammy way, but actually trying to be aware of the space that you are playing in and trying to connect in some way through the music.
Even if I'm doing a show and there's five people in the audience and the sound system is terrible - I mean, it's been a while but I've certainly done those kind of shows where it's just every conceivable thing is against you - you still have music. It's still something that's real whether there's five people in the audience or a hundred thousand people in the audience. And that's always been there for me.
I think the audience keeps it fresh for me. You just never know - every audience has its own personality.
All of Europe is tremendously integrated now; perhaps from all those years of colonization. Everybody that they've colonized has come to the mainland, so you'll have a racially diverse audience as well. You'll have many Middle Easterners, Asians, Africans, from seven to ninety sitting in the audience, and the really incredible thing is that they all know the music. I don't mean they just know a song here and there. They know the music. They are a very educated audience.
In India, Bollywood music enjoys a mass appeal while independent/non-film music has a niche audience.
I'm not conditioned to be an entertainer. An entertainer pleases others while an artist only has to please himself. The problem with that is artists are misunderstood by all. I'm not interested in the clarinet but in music. we speak our emotions into music. An artist should write for himself and not for an audience. If the audience likes it, great. If not, they can keep away. My situation is the same. Let them concentrate on my music and not on me. I like the music. I love it and live it, in fact. But for me, the business part of music just plain stinks.
I think about the audience in the sense that I serve as my own audience. I have to please myself the way, if I saw the movie in a theater, I would be pleased. Do I think about catering to an audience? No.
We have an incredible audience. I'm as proud of how Fairport relates to its audience as I am of any music we have produced. I think we're a real people's band. Massive popular success has never bothered Fairport. We've never been put in the position of being celebrities. A Fairport concert is like a meeting of friends. There's no big, security wall around us. It's kind of how music should be.
I consider music to be a service and I am trying to serve the music, the musicians and the audience the best I can at every moment.
For better or worse, I'm interested in just about everything: every different type of music I can imagine. I can never see a reason to choose just one type of music at the exclusion of everything else. Different types of music are capable of being rewarding in different kinds of ways.
I think that there's a proliferation of music that is done entirely in the bedroom for an Internet audience, but there's no way in hell that you could actually kill off a live show, and its importance in the creation of music - it's just impossible.
I think I'm really part of a whole generational movement in a way. I think a lot of other people since and during this time have gotten interested in writing what we can still call experimental music. It's not commercial music. And it's really a concert music, but a concert music for our time. And wanting to find the audience, because we've discovered the audience is really there. Those became really clear with Einstein on the Beach.
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