A Quote by Amit Trivedi
If the script doesn't excite me, there's no point working on the music.
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I would love to do films, but the script has to excite me.
Any film I do needs to excite me at a script level.
For me, my first hearing of the script matters. It has to excite me as an actor and as an audience.
When I listen to a script I don't think too deeply, my thought is 'will it excite me to do this?' I don't overthink.
Working with an incredibly strong script is the thing that gives you the most confidence. If you go into an episode knowing the script is strong, I just feel like that's where it all starts. All collaborations that happen, in addition to that, are just bonuses, at that point.
When I get my script in hand, I make it a point to completely know my script well. It is something that comes automatically to me. That is my basic homework.
Working on script development, casting, editing, and music is incredibly inspiring to me, and it's wonderful to see something you love come to life.
A prolonged future doesn't excite me. It would have to have a point.
The biggest thing for me is I don't want to let people down. At the same time I love things that scare me and challenge me. If your job doesn't do that and doesn't excite you there's no point in doing it.
I think the script is the key. Regardless of how great everybody else is working on a film, if you're working on a script that you don't think is great, you're not gonna be able to make a great film. Whereas if the script is great, then you can.
The offers are plenty. I'm just taking time and only working on those projects that excite me.
From Ennio [Morricone] I ask for themes that clothe my characters easily. He's never read a script of mine to compose the music, because many times he's composed the music before the script is ever written.
For Democrats to win, they're going to have to address the needs of working people. They're going to have to address the needs of the middle class. And that means standing up to Wall Street, standing up to the greed of corporate America. Even now and then, standing up to the media. And that means having a candidate who can excite working families, excite young people, bring them into the political process, create a large voter turnout.
What I look for in a script is the plot point and whether they're strong, obviously, or not, whether the characters are rich or not, and if I can do justice to the character or not. Some movies you look at and the script is so bad that no one can do anything with the script.
I mean when I was working shall we say with Disney, you know they sent me the script for the film Hercules and I had to imagine what all the characters looked like. And to develop those characters, so nothing exists visually when I get the script.
The script is the most important thing for me. I'm advised that other things are important too, and they are. The director that you'll be working with is hugely important, and the cast that are with you is really important as well. But, for me, the thing that gets my heart excited and really makes me invested in something or not is just the quality of the script.
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