A Quote by Amitabh Bachchan

I don't know how others think about me, but if I have to walk the streets, I will, and if I need to stand in a queue at the airport, that's OK. — © Amitabh Bachchan
I don't know how others think about me, but if I have to walk the streets, I will, and if I need to stand in a queue at the airport, that's OK.
I don't think people talk about mental illness a lot, but they need to know it's OK to talk about how they are feeling. People are afraid of telling the truth because they think it's going to hurt everyone around them. I've kept so much inside that I've literally lost it. I wish more people would get help when they feel like they need it-- not just to look to medicine, but to the support of others.
I try to do everything to say, 'OK, will my mother like this? Will she be pleased? Will she be proud of that? How do I know she's happy and she's smiling down at me from heaven?' And that's what I try to go by and walk by.
I’m constantly embarrassed. I fidget and twist my hair and pull weird faces and stutter. Some days I feel quite confident, then others there’s a microscopic flaw about myself physically, which will make me embarrassed to walk the streets.
You could walk the streets, no matter how hungry people were, not matter how long they'd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.
You could walk the streets, no matter how hungry people were, not matter how long theyd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.
I can't walk in an airport, walk into a gym, where the kids in the gym don't come to me and ask me about Allen and tell me he's their favorite player of all time. And everywhere I go in airports, people look at me, and they, 'You're Allen's coach.'
You're not like the others. I've seen a few; I know. When I talk, you look at me. When I said something about the moon, you looked at the moon, last night. The others would never do that. The others would walk off and leave me talking. Or threaten me. No one has time any more for anyone else. You're one of the few who put up with me. That's why I think it's so strange you're a fireman, it just doesn't seem right for you, somehow.
As an author, I don't really think too much about being a celebrity. It's not like being a movie star or a TV star. It's not as if people recognize me when I walk down the street. That hardly ever happens, and it's just as well. But it is great when people know my books, when I walk through an airport and see them in the bookstore, or when I see someone reading a book on a plane or on a train, and it's something I've written. That's a wonderful feeling.
With each reunion (we) had to learn each other all over again. There was always that nervous moment at the airport when I would stand there waiting for him to arrive, wondering, Will I still know him? Will he still know me?
I say to my colleagues that I sit alongside them in committee, in the bars and in the tea room, and I queue alongside them in the division lobby. But when it comes to marriage, they are asking me to stand apart and to join a separate queue. I ask my colleagues, if I am equal in this house, to give me every opportunity to be equal.
Self-hatred is OK. I have self-hatred, too. It's OK. What's bad is if you don't know how to get out of it, don't know how to manage it. Self-hatred is, in fact, a good thing if you can clearly see the mechanism of it, because it helps you to understand others.
I've never been the sort of person to walk into a room and have *clicks fingers* 50 women want to sleep with me, ok, and suddenly you walk across a stage and you have a video clip and you know girls want to go out with you and think you're beautiful!
What I wanted to do was to look at the powerlessness that I felt as - and continue to feel at times - as a black man in the American streets. I know what it feels like to walk through the streets, knowing what it is to be in this body and how certain people respond to that body.
I would ask my mother to show me how to walk - and she did show me. That's why I think it's funny when people say, 'Did so-and-so teach you how to walk?' And I always say, 'You must be talking about my mother, because it was my mother who taught me how to walk.'
Filmmaking is like any kind of art form. You have to try to figure it out, and you're going to do that by trying. It's like teaching a child to walk. It may start by walking, but eventually it will fall. And I have kids, but I know that that will enable them to stand up again and understand why they fell, and how they can avoid that. They will walk better and faster, and stronger. Filmmaking is the same.
I think that the song, the song "Stand By Me" is one of those songs that... and someone asked me, what was you thinking about or what was you feeling about? It's something that, songwriters just write songs. It's like an artist that paints. They paint what they feel. It's not, it's not about how many of these painting I'll sell it's just how they feel at the moment. And that's how I wrote "Stand By Me".
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