A Quote by Amitava Kumar
Authenticity does matter, but only as it serves the novel's more traditional literary demands: that the fault lines be drawn where the internal life and the larger world meet.
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I don't think any particular painters have inspired me, except in a general sense. It was more a matter of corroboration. The visual arts, from Manet onwards, seemed far more open to change and experiment than the novel, though that's only partly the fault of the writers. There's something about the novel that resists innovation.
Yes, there's a relaying of internal states that only a novel can achieve. In my view, the novel is one of Europe's greatest gifts to the world. America and Africa collaborated to give the world jazz. We'll call it even.
Whenever I read a contemporary literary novel that describes the world we're living in, I wait for the science fiction tools to come out. Because they have to - the material demands it.
I try to think of the social function of fiction as drawing the individual toward larger social and political questions. But I'm also very comfortable in saying that my novel - any novel - doesn't matter as much as larger questions of how we can see justice done.
The world I grew up in had both a literal and mythological quality. We were on the borders of several worlds - the larger black world bordered us on one side. More distantly, there was the larger white world. We interacted with some, but not others. If you think of it as an internal geography, it is a land, a contested space with these very charged historical, cultural, and emotional borders.
No relationships are perfect. When they develop, there are things that have happened before in your life that you maybe don't discuss. And there are always fault lines within every relationship. I believe it doesn't take too much pressure to be placed on those fault lines for them to start cracking apart.
I don't know that I had a sense that there was such a thing as "the poetry world" in the 1960s and early 70s. Maybe poets did, but for me as an onlooker and reader of poetry, poetry felt like it was part of a larger literary world. I mean, even the phrase "the poetry world" reflects a sort of balkanization of American literary and artistic life that has to some extent happened since then.
Authenticity is fundamental, more fundamental than spiritual enlightenment. Without authenticity, no genuine spiritual enlightenment is possible. Authenticity is the state of being committed to truth. Truth is simple. And no matter how simply a truth is stated, only those who have walked the path of understanding and evolution on their own can know and understand it authentically. The path of truth is the path least traveled. Authenticity is the clarity of being in which there is no self-deceit.
Today, there are more opportunities for writers in terms of access to larger success, but it's more difficult to publish a literary novel in the lower ranges. In other words, you almost have to hit a home run. You can hit a triple, maybe, but nobody's interested in a single.
It is not larger, cleaner cages that justice demands...but empty cages; not traditional animal agriculture but a complete end to all commerce in the flesh of dead animals; not more humane hunting and trapping, but the total eradication of these barbarous practices.
I do have the sense that, although there may be no one way to write a novel, there are many novelists who are in fact part of some sort of larger literary community, whether in the form of a writing group or an MFA program, to name two of the more common forms.
The mature person meets the demands of life, while the immature person demands that life meet her demands.
Margo says, "I know what she's talking about. The something deeper and more secret. It's like cracks inside of you. Like there are these fault lines where things don't meet up right.
I think the novel is not so much a literary genre, but a literary space, like a sea that is filled by many rivers. The novel receives streams of science, philosophy, poetry and contains all of these; it's not simply telling a story.
Your mission in life is to have a "why" to live for, to use your best qualities in the service of the kind of world in which you would like to live. That is your purpose. This is what life expects of you. And when you live according to your purpose, setting goals that support it, you may find the pieces of your life drawn together into a strong internal whole. Then, no matter how difficult life's experiences may prove to be, you can be able to endure and even prevail.
The description of right lines and circles, upon which geometry is founded, belongs to mechanics. Geometry does not teach us to draw these lines, but requires them to be drawn.
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