A Quote by Amitava Kumar
For years, in the wake of Rushdie, I had imagined magical realism to be the last refuge of the non-resident Indian.
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I gravitate much more toward realism, realism in the work that I do, but magical realism got me hooked on film. I think it was my first time realizing that there was something besides popcorn movies.
At the end of the day, it's about the reader's attachment to and belief in the magical elements that make or break magical realism.
Voting is the next-to-last refuge of the politically impotent. The last refuge, of course, is giving your opinion to a pollster.
I think being raised within a Mexican Catholic family made magical realism a very natural part of who I am as a person and as a writer. My parents always told us great stories that often had magical elements and roots within Mexican folklore. Also, I remember my father reading a book to me, when I was very young, about the lives of saints. Those were crazy scary stories! Maybe he was trying to scare me into being a good person. In the end, magical realism offers me untethered freedom to explore human frailty and the way we clumsily cobble together our lives on this strange planet.
Whether or not patriotism is the last refuge of the scoundrel, national security can be the last refuge of the tyrant.
The Americans only like things they can label, even if it kills them. Think of those poor Latin American writers. Some of them are very good. But the "magical realism" label has absolutely ruined them. The critics are like tourists who return from a trip saying they've "done" Machu Picchu: "Okay, we've done magical realism," so now we can throw it out.
A long, negative review I wrote of Rushdie's novel 'Fury' earned me a rebuke from the writer: He told an administrator at the college where I teach, and who had invited Rushdie to come speak, that he wouldn't share the stage with me.
I love 'Exit West' by Mohsin Hamid. It's a magical realism retelling of the refugee experience, where people find these magical doors that transport them to another country.
The difference between 'Resident Evil: Damnation' and 'Resident Evil 6' is in 'Resident Evil 6' we did facial mo-cap, along with the voice over. We had these little reflectors glued to our faces and these head pieces in this room filled with light with about 40 cameras.
A postcolonial writer who has often been credited with mixing the mundane with the magical, and history with fiction, is Salman Rushdie.
As you see, I bear some resentment and some scars from the years of anti-genre bigotry. My own fiction, which moves freely around among realism, magical realism, science fiction, fantasy of various kinds, historical fiction, young adult fiction, parable, and other subgenres, to the point where much of it is ungenrifiable, all got shoved into the Sci Fi wastebasket or labeled as kiddilit - subliterature.
When I did The Fifth Element [1997], it was like, "Oh my goodness, who is this character?" I loved doing Resident Evil, but Resident Evil is Resident Evil with or without me. It's an entity of its own. It's not like Milla made Resident Evil.
American society is very like a fish society. . . . Among certain species of fish, the only thing which determines order of dominance is length of time in the fishbowl. The oldest resident picks on the newest resident, and if the newest resident is removed to a new bowl, he, as oldest resident, will pick on the newcomers.
Magical realism is a blending of the unusual or supernatural into an otherwise ordinary setting. And, to me, this perfectly describes the South. 'The Sugar Queen' involves a lot of magical happenings, but in a very down-home Southern setting. It's full of things that could almost be true.
I do mean this - I had the good fortune of being around a number of Alzheimer's patients in the last three years of my mother's life. She was in a care facility that was devoted to just people with memory-loss issues. I found those people engaging and generous in ways that I had not imagined.
The following twenty years would be the nadir of American Indian history, as the total Indian population between 1890 and 1910 fell to fewer than 250,000. (It was not until 1917 that Indian births exceeded deaths for the first time in fifty years.)
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