A Quote by Amity Gaige

In the best writers, the outward-reaching interest in the 'found subject' leads back at a hairpin to some uncomfortable inner recognition that the writer has journeyed very far to see; he comes home half-dead.
A pygmy standing on the outward crust of this small planet, his far-reaching spirit stretches outward to the infinite, and there alone finds rest.
The best hope for peace in the world lies in the simple but far-reaching recognition that we all have many different associations and affiliations, and we need not see ourselves as being rigidly divided by a single categorization of hardened groups, which confront each other.
It feels as though a very disproportionate number of main characters are writers, because that's what the writer knows. Fair enough. But nothing bothers me more in a movie than an actor playing a writer, and you just know he's not a writer. Writers recognize other writers. Ethan Hawke is too hot to be a writer.
To be truthful, some writers stop you dead in your tracks by making you see your own work in the most unflattering light. Each of us will meet a different harbinger of personal failure, some innocent genius chosen by us for reasons having to do with what we see as our own inadequacies. The only remedy to this I have found is to read a writer whose work is entirely different from another, though not necessarily more like your own—a difference that will remind you of how many rooms there are in the house of art.
I open my scuttle at night and see the far-sprinkled systems, All all I see multiplied as high as I can cipher edge but the rim of the farther systems. Wider and wider they spread, expanding, always expanding, Outward and outward and forever outward.
Perhaps there is no other way of reaching some understanding of being than through art? Writers themselves don't analyze what they do; to analyze would be to look down while crossing a canyon on a tightrope. To say this is not to mystify the process of writing but to make an image out of the intense inner concentration the writer must have to cross the chasms of the aleatory and make them the word's own, as an explorer plants a flag.
I remember taking a 4x4 up the Sani Pass in South Africa, which goes up into Lesotho. It's a dangerous hairpin trail on this treacherous road and I went up in winter. Half of the road stays in the shade. We turned the corner on this hairpin and just hit black ice.
When I had journeyed half of our life's way, I found myself within a shadowed forest, for I had lost the path that does not stray.
The idea of writer as sage is pretty much dead today. I would certainly feel very uncomfortable in the role.
True and lasting inner peace can never be found in external things. It can only be found within in. And then, once we find and nurture it with ourselves, it radiates outward.
I am a believer in the adage - performance leads to recognition, recognition leads to respect and respect leads to power.
Very few men can fall as far as I have and come back. People see me and it's like they've seen a ghost, like I'm back from the dead.
Some writers may hate interacting on social media. And if you do, don't do it, because it shows. If you are uncomfortable being out in public, that shows, too, and makes the reader uncomfortable. So find the best way for you to connect with your readers and a way that you enjoy.
I think it's great when writers get recognition; it doesn't happen very often. I just don't want that writer to be me. Let it be Aaron Sorkin or, you know, somebody good.
Some hard and dry book in a dead language, which you have found it impossible to read at home, but for which you still have a lingering regard, is the best to carry with you on a journey.
Some audiences might find homosexuality an uncomfortable subject matter, and a character who is a Japanese collaborator is always uncomfortable.
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