A Quote by Amity Gaige

Oh, I'm a pretty bad poet. This has been corroborated by others. — © Amity Gaige
Oh, I'm a pretty bad poet. This has been corroborated by others.

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It's a big thing to call yourself a poet. All I can say is that I have always written poems. I don't think I'm interested in any discussion about whether I'm a good poet, a bad poet or a great poet. But I am sure, I want to write great poems. I think every poet should want that.
I'd rather be a great bad poet than a good bad poet.
One of the surest tests of the superiority or inferiority of a poet is the way in which a poet borrows. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. The good poet welds his theft into a whole of feeling which is unique utterly different than that from which it is torn the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest.
The only nice poets I've ever met were bad poets, and a bad poet is not a poet at all - ergo, I've never met a nice poet.
A poet who is a bad man is a degraded being, baser and more culpable than a bad man who is not a poet.
I started out as a poet. I've always been a poet since I was 7 or 8. And so I feel myself to be fundamentally a poet who got into writing novels.
...to be a poet, requires a mythology of the self. The self described is the poet self, to which the daily self (and others) are often ruthlessly sacrificed. The poet self is the real self, the other one is the carrier; and when the poet self dies, the person dies.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
Old white people have pretty much always been the bad guys, the keepers of the hegemonic and reactionary flame, the folks unwilling to share the category of American with others on equal terms.
I think everybody that grows up in Florida, you've got a little chip on your shoulder. It's not as bad as people think it is, but it's pretty bad. When you go to other places you're just like, "Oh, god. What was that about?"
He was a great poet" They lamented. No, he was not a great poet," said Theo, "He was a good poet, he could have been better. That's the real loss don't you see?
As regards literary culture, it fascinates me that it has been so resilient to the Union. For example, when T.S. Eliot wanted to become poet in these lands, it wasn't as an English poet, it was an Anglian poet he wanted to be.
A poet is wounded into speech, and he examines these wounds, meticulously, to discover how to heal them. The bad poet harangues at the pain and yowls at the weapons that lacerate him; the great poet explores the inflamed lips of ruined flesh with ice-caked fingers, glittering and precise; but ultimately his poem is the echoing, dual voice reporting the damages.
I've been in plenty of crashes! Some are not too bad - resulting in ice burn. Others are pretty rough, and sometimes - rarely, but sometimes - people do get seriously injured. It's a risk we all know of and accept. If you bobsled, you're going to crash - guaranteed.
My setup for a live performance lately has been just guitar and synthesizer. Sometimes I only bring one. The guitar is in pretty bad shape and isn't sounding the same. Most of the time my live approach has been pretty different from recording.
As a very young poet, I had been brought up on that dogma that politics was bad for poetry.
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