A Quote by Amity Shlaes

If you do a serious presidential bio, you want to supply the reader with maximum material because otherwise you're offending the reader. A president for many people is a serious thing and they want to know everything.
I wish you were a mind-reader. I want you to know everything but I don't want to have to tell you. Because there are some things I don't want to say out loud.
Why do all these people want [comedians] to be serious? The reason they want that is these are people who aren't funny. Anybody funny can be serious, but people who have no sense of humor, they can never be funny - and frankly, they're jealous. There's very few comic actors. Think about it. There aren't that many. It's hard because you have to be able to do both.
Probably, subliminally, I think of the reader as a kind of collaborator. I don't want to say something for the reader that the reader could have said for himself.
Before you can become a writer, you have to be a reader, and a reader of everything, at that. To the best of my recollection, I became a reader at the age of 10 and have never stopped. Like many authors, I read all sorts of books all the time, and it is amazing how the mind fills up.
In memoir, you have to be particularly careful not to alienate the reader by making the material seem too lived-in. It mustn't have too much of the smell of yourself, otherwise the reader will be unable to make it her own.
When you're a war correspondent, the reader is for you because the reader is saying, 'Gee, I wouldn't want to be doing that.' They're on your side.
At GQ, there was never a temptation to pander or preach to the choir because I had no concept of who the reader was or what that reader might want.
At 'GQ,' there was never a temptation to pander or preach to the choir because I had no concept of who the reader was or what that reader might want.
I want young people to ask me if I'm serious. Our young people have been lied to and misled for so long. When I stand on this soapbox, I want young people to ask me that because once they know I'm serious, they'll be willing to ride with me.
When someone says to me "I want to be enlightened." I immediately take a vacation because I know that the person isn't serious. I've never met anyone who's serious about enlightenment
With a 660-page book, you don't read every sentence aloud. I am terrified for the poor guy doing the audio book. But I do because I think we hear them aloud even if it's not an audio book. The other goofy thing I do is I examine the shape of the words but not the words themselves. Then I ask myself, "Does it look like what it is?" If it's a sequence where I want to grab the reader and not let the reader go then it needs to look dense. But at times I want the reader to focus on a certain word or a certain image and pause there.
In my couple of books, including Going Clear, the book about Scientology, I thought it seemed appropriate at the end of the book to help the reader frame things. Because we've gone through the history, and there's likely conflictual feelings in the reader's mind. The reader may not agree with me, but I don't try to influence the reader's judgment. I know everybody who picks this book up already has a decided opinion. But my goal is to open the reader's mind a little bit to alternative narratives.
I don't want to be super serious but I want to have fun with my platform. I want to touch people, I want to be relatable and let girls know that you can go to college and still pursue what you want after that.
And write what you love - dont feel pressured to write serious prose if what you like is to be funny. You're a reader as well as a writer, so write what you'd want to read.
With the audience I write for, I want to make sure that the reader is eagerly turning every page. I want each of my books to be an absorbing reading experience, an authentic piece of literature. The worst thing that can happen is for a book to have a chilling effect on the reader, to have a kid pick it up and look at a bunch of footnotes and think, No, I'm not going to read this, it's too intimidating.
Only a very specific kind of writer keeps their reader in mind while working. Such writers don't want to irk their readers; they don't want to challenge their readers; they want to produce exactly what their reader expects them to produce. I'm not like that.
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