A Quote by Amity Shlaes

The lucky biographers find themselves drawn into a sort of friendship with their subject. — © Amity Shlaes
The lucky biographers find themselves drawn into a sort of friendship with their subject.
Anything can be done if you find friends to do it with. The lucky biographers find themselves drawn into a sort of friendship with their subject.
I'm drawn to provocative characters that find themselves in extreme situations. And I think I'm drawn to that consistently.
I'm not sure whay I've been drawn to this subject, except that murder is a subject that has always drawn people for as long as people have been telling stories.
Some philosophers are drawn to the subject [of philosophy] via their interest in the nature and structure of the world external to us. Others are drawn to it by an interest in the capacities that make humans distinctive in the world. I am a philosopher of the latter sort. My work thus far has been clustered around the nexus of knowledge, communication, and human action.
Most biographers are apt to be discouraged by the sheer volume of papers left behind by their subject.
I do find that I'm drawn to people in my life, romantically or not, that have something to teach me. I'm drawn to people who I feel like I can learn from. I'm not really drawn to toxic people - I don't find myself discovering that someone in my life is toxic very often. But there is some sense of being changed by each person that I think I'm drawn to.
Under Freud's influence, many ambitious biographers - not to mention psychologists, philosophers, and historians - have sought answers in their subject's childhood.
A photographer is a witness. He has a moral duty. Every picture must be true and honest. I believe a photographer's strength is his ability to accurately record reality. There are photographers who think they are lucky if they find unusual or special subject. But it is never the subject that is so marvelous. It is how alive and real the photographer can make it.
When I was working on my first novel, 'The Quilter's Apprentice,' I knew I wanted to write about friendship, especially women's friendship and how women use friendship to sustain themselves and nurture each other.
I'm drawn to people who find themselves on the outside of things. I'm moved by that in real life.
I am drawn to the mystery of marriage. You can never know what the contract is between two people, and that is a very strong subject. I think it may be my subject.
That, they knew, was true friendship. And they knew, if you're lucky enough to find it, you hold on to it.
I'm drawn to ordinary people who find themselves in extraordinary circumstances, which is a big part of the human condition.
Biographers use historians more than historians use biographers, although there can be two-way traffic - e.g., the ever-growing production of biographies of women is helping to change the general picture of the past presented by historians.
All biographers, no matter how sympathetic, end up using their subjects as mirrors to figure themselves out. I don't want to be anyone's mirror.
I find that you're drawn to certain stories, and there's something about fairytales that have deep roots. They connect really deeply to you, and those are the stories that I find myself drawn to. I love characters that believe the impossible is possible.
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