A Quote by Aml Ameen
My goal was always to be working on the biggest stage in the world: Hollywood. Even when I was doing 'The Bill,' I approached the work like it was a Hollywood classic such as 'Training Day' or 'Boyz n the Hood.' So to have worked with some of the greats I've admired, such as Forest Whitaker, Kathy Bates, Cuba Gooding Jr., etc., it warms me.
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This is going to sound ridiculous, but I remember watching 'Boyz n the Hood,' and there is a scene where Cuba Gooding, Jr. gets pressed against a car by a police officer, and he starts crying because it's so humiliating. I remember thinking in that moment that I could totally identify with him, and I'm a little white kid from Canada.
We have our classic hood movies, right? Like "Boyz in the Hood." We have our classic conscious films like Spike Lee's "Do the Right Thing," or "Stand By Me." Even beyond Coogler, there are black films that are just voices. So the intention behind this ["The Land"] was to capture today's.
When you see my performances, even people that you might have known, like Nicky Barnes in 'American Gangster,' you have to get over the fact that I look like Cuba Gooding, Jr. But once you find truth in the performance, if I'm doing my job right, you believe everything.
When Cuba Gooding Jr. and I were doing 'The Trip to Bountiful,' we would always go to BXL, a Belgian restaurant/bar. It was across the street from the theater, and they have amazing mussels.
I think ties are great and Kathy Bates is an actress whose work I've admired tremendously over many years, and I feel a certain kinship with her, we both came from an extensive theater background.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios. I still don't feel like I've been part of the stereotypical Hollywood system.
The whole idea of doing the Hollywood thing never even occurred to me. When you grow up on the East coast, Hollywood seems like this fantasy land and you don't think that people can actually make a living there.
I've worked with Hollywood stars, but the reason most of the Hollywood stars I've worked with are Hollywood stars is that they're excellent actors, so I've been very lucky.
What I can say, categorically, is that working with Sarah Paulson and Kathy Bates will have been the most formative experience for me, as an actor, for the rest of my life.
My biggest goal was - I thought, God, if I could just be a rep company member at the Arena Stage in Washington, D. C. and get to play a bunch of parts in a year! And now in my work everything is about promoting it. It's not about the doing of it! Everything is: You have to sell it, and they ask you to tweet about it or do photo shoots, even for the smallest job. There's an imbalance in terms of what is actually gratifying. The stuff that is gratifying is, like I said, the day of work and the doing of it.
I spent half my life in a boarding school where we were shown only the sporadic wholesome classic like 'The Sound Of Music.' So, I am not familiar with most of the works of the acting greats in Bollywood, Hollywood, or Tamil-Telugu cinema.
The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.
I find that working with friends is always the goal, even if it's just one person. Because the comedy community is kind of insular, it's easy to run into people you've worked with, even if you worked with someone on something for a day, or whatever.
My first film was with Cuba Gooding Jr, 'The Fighting Temptations,' and I had a little part here and there on little shows as guest stars. And I've taken acting classes.
I find that working with friends is always the goal, even if its just one person. Because the comedy community is kind of insular, its easy to run into people youve worked with, even if you worked with someone on something for a day, or whatever.
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