A Quote by Ammy Virk
After you have built a fanbase, people call you to promote their films. Often, it leads to acting offers. After that, it' just a matter of your film working.
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My tutor was a film director on the side, and she introduced me to film. She then put me in one of her short films, and it came out of that. That's when I fell in love with the process of making a film. After that, I was about 15 and I was like, "This is what I've gotta do." So, I started taking acting lessons, and then I applied to college to do acting. I got an agent, and it all just happened.
After my film 'The Tale of Two Sisters,' I received a lot of offers from Hollywood to direct, but because 'A Tale of Two Sisters' was a horror film, I received a lot of horror films. But I wasn't interested in working in the same genre, and the scripts I received for films in different genres were for projects that were near completion.
I never wanted to be an actor. Till my third film, I didn't imagine that I would continue acting. I didn't like it at all. It was only after three films that I became comfortable with acting.
After acting in a critically acclaimed film like 'Kaaka Muttai,' I didn't get any offers for more than a year.
After working with so many great actors and acting students in film school, it was a whole other thing working with Luke [Kirby].
The only thing worse than working acting in an airplane is working in a prison - they're cold, and the clanging and the noise, it just gets under your skin after a week.
After 'Rock On!,' when I started acting, and I sang in the film, people asked me, 'What was the need to sing in your film?' and things like that. I really don't have an answer for it. In terms of what made me do it? It just felt like the right thing to do.
After 'Chandni Bar' there was a shutdown of such bars in Mumbai. After 'Page 3' people started avoiding such events. 'Traffic Signal' exposed the money flow through the mafia. I'm not apologetic about the brutal truth in my films. Almost 70% of my films are based on reality, and 30% I fictionalize or change to suit my film.
I think you're stereotyped after every film. Post 'Dev D,' I was only offered bold roles. Similarly, after 'Margarita With A Straw,' I was offered roles where I had to play differently-abled people. So, no matter what type of film you work in, people tend to slot you.
We are working on organising classical music festivals in a bid to promote qawwali there and produce films that promote music. Perhaps people lack the talent as yet, but at least there's a stable platform available to promote this as an art form.
I wasn't sure if I would survive in the film industry in the beginning. So, I gave myself six months to see if things fall in place, and luckily, soon after I moved to Mumbai, I began getting modelling and acting offers.
I started missing acting when I was in school, and I realized after being in the business after however many years that I was really interested in film.
You give your film away to the audience once it's done. I never look at my films after the premier. The film needs to start its own history.
Ring of Honor fanbase is so real and so true. It's like an NXT fanbase; it's the same fanbase. You can't just feed them crap.
"Bruce" was an Eddie Murphy film, so there was a whole different vibe, working on that film, as opposed to working on a [Adam] Sandler film, which I'd done a few of. First of all, there were tons of kids running around. I'm surprised I ever had a kid after doing that film.
After college, I funded my short films with acting roles in film and TV. I learned my craft through the great opportunities British television gave me as a director.
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