A Quote by Ammy Virk

I can't leave Punjabi films and will make it a point to act in at least one film a year there. — © Ammy Virk
I can't leave Punjabi films and will make it a point to act in at least one film a year there.
It's the Punjabi film industry that sustained me and my family for eight years. It is because of my work in Punjabi films that I was able to survive.
I will not leave my South films for a Hindi film. I want to be sincere to my South film makers and commitments. Only if my dates are not clashing with any of my South films will I do Hindi films.
If Hollywood can make films on insects and make big money, why can't we make films on Punjabi culture?
I am really excited to act in a Punjabi film.
Punjabi film industry is not yet ready to give change to new actors, but if Punjabi singers, who already have a fan following, enter the industry, it will be a great help to uplift the industry.
The kind of films being made, that are called experimental, only happens when the industry is confident enough for them to work and I believe that soon we will see a 100 crore blockbuster Punjabi film.
I'd like to act in Punjabi films and do some great roles instead of just dance sequences.
At AFI, you make three cycle films your first year, and then you make a thesis film your second year, and I watched Darren Aronofsky's cycle films and was blown away - there was a young Lucy Liu, who was just part of that generation. And I just wanted to be part of that tradition.
In Punjabi, we make romcoms or just comedy films because that's what the audience wants. They want family entertainers. We've tried making action films, but there are no takers for that.
I think as a filmmaker one should make all kinds of films. It is not that one should make only one kind of film. I love to see romantic films; I loved watching 'Dilwale Dulhaniya Le Jayenge,' 'Kuch Kuch Hota Hai.' If I make such films, I will make it with my yardstick, according to my parameters.
You can make a film with a phone and a computer if you want, if you have the time. So it's a world that is saturated with films and all kind of stuff, so it's such a blessing to be able to make a film and people care, and even if they say that it's a bad idea, at least they care and they're talking about it.
Apart from my film, I am producing TV serials and plan to make more films, too. Mine is not going to be one-film-a-year production company as such.
I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
I'm doing 'Maula Jutt 2,' which is a Punjabi film. For me, it's a new experience because I have never spoken Punjabi, and I hope everyone is going to love it.
Obviously, I try to make the films work for an audience. That's the main point of making a film, and in retrospect, one can see that certain films, let's say Leaving Las Vegas, demonstrated its own success.
But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
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