A Quote by Amor Towles

To a bookish boy in a Boston suburb in the mid-1970s, the lyrics of Cole Porter came as something of a revelation. — © Amor Towles
To a bookish boy in a Boston suburb in the mid-1970s, the lyrics of Cole Porter came as something of a revelation.
Mercer was very clever. He knew the way Southerners spoke and put that into his lyrics. But in that whole era, you had the best. Harold Arlen was just fantastic. Cole Porter was better than anybody, and Gershwin was Gershwin, y'know. Johnny Mercer started Capitol Records, and he brought in Sinatra, Dean Martin, and Nat King Cole.
By the mid 1970s, the great downtown bookstores had begun to disappear as their customers migrated from city to suburb where population density was too thin to support major backlist retailers.
Ultimately, Cole Porter's music might say more about his life than any biography could. His songs, with their witty lyrics and debonair style, are an advertisement for his personality and his public persona.
My mother says I was two-and-a-half when I started playing. My father was a minister, and when he went to church in the morning, she would put on Fats Waller, Billie Holiday, Nat King Cole and Cole Porter records. I'd crawl up on the piano stool, sit on a phone book and play.
[Cole Porter] sang like a hinge.
'The Choirboys' is very much a product of its mid-1970s time, especially in its two-dimensional portrayals of cop groupies Ora Lee and Carolina Moon, but the energy of Wambaugh's newfound, blackly comedic voice is a revelation, a trap-door opening into all facets of a policeman's world.
Cole Porter had a worldwide reputation as a sophisticate and hedonist
Cole Porter had a worldwide reputation as a sophisticate and hedonist.
Unemployment determination in a modern economy was the main subject area of my research from the mid-1960s to the end of the 1970s and again from the mid-1980s to the early 1990s.
Cole Porter wrote Anything Goes and four more hits for me
Cole Porter wrote Anything Goes and four more hits for me.
I saw a very good Hollywood film the other day. It was about Cole Porter.
I've always loved songwriting, and I vowed to be a songwriter like Cole Porter when I was only 9 years old.
Sometimes when I'm writing I'll play Cole Porter, just because the rhythms and the lyrics are so perfect that it's like having a smart partner in the room. I have a huge collection of music that I listen to when I'm writing, and I also prepare a lot of music before I start directing. I put it all onto an iPod that I have with me on the set. It's helpful to the actors, because for an emotional scene, I'll play it and say, this is how it feels, to keep us in the zone.
Nobody is trying to avoid Shawn Porter. Look at all the named fighters that fought Shawn Porter, because nobody is avoiding Shawn Porter. Nobody is scared of Shawn Porter. Shawn Porter can beat you. He's tough, durable and comes to win but nobody's scared.
I had to get out of the Boston area, so I flipped a coin and said, 'Heads - Miami, tails - California. I was in my mid-20s and came out here with no training. Acting wasn't even in my mind.
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