A Quote by Amor Towles

I always thought I was a writer on the inside, but after a few years of not writing, you can't make that claim anymore. — © Amor Towles
I always thought I was a writer on the inside, but after a few years of not writing, you can't make that claim anymore.
It was only after two years' work that it occurred to me that I was a writer. I had no particular expectation that the novel would ever be published, because it was sort of a mess. It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.' The novel had become an incentive to deeper thinking. That's really what writing is—an intense form of thought.
My literary criticism has become less specifically academic. I was really writing literary history in The New Poetic, but my general practice of writing literary criticism is pretty much what it always has been. And there has always been a strong connection between being a writer - I feel as though I know what it feels like inside and I can say I've experienced similar problems and solutions from the inside. And I think that's a great advantage as a critic, because you know what the writer is feeling.
I didn't really think I would be a musician. I always thought I'd be a writer. I wanted to be a writer in college, but I thought I could be a better musician. I loved the process of writing music and lyrics more than I loved the process of sitting at my computer and writing. Because of that, I thought I would be a better musician than a writer.
This sounds like a cliche, but I always wanted to write. After college, I did some writing and realized very quickly that it's hard to make a living as a writer. At that point, I was more interested in fiction writing.
A couple of years after I arrived in Hollywood, everything that was Latino was fashionable, and years after, my thought is that we're not fashionable anymore. We're here to stay.
There are very few works of fiction that take you inside the heads of all characters. I tell my writing students that one of the most important questions to ask yourself when you begin writing a story is this: Whose story is it? You need to make a commitment to one or perhaps a few characters.
After ten years of word processing, I can't even do hand writing anymore.
I thought of myself as a writer for years before I got around to writing anything.
After a few years, we realized that you did have to put some work into it. That's why the bimbo comments make me angry. After seven years, people have to realize we have a certain amount of talent.
I slept with my mother until I was nine years old. It was OK for the first few years, and then I don't know what happened. I just couldn't do it anymore. I mean, sleeping with the same woman, night after night. Boring!
I don't think any songwriter who comes up through playing clubs can really claim to have independently developed their art. All along the way so much information is coming, the writer inside the performer unconsciously reacts to all of that. By the time they get to be thirty, the writer is gone.
I always have strong feelings when I'm writing a book. Sometimes when I'm writing a book, I even cry when I'm writing. Once I read a quotation that I thought was very true for me, which is: "No tears in the writer, no tears in the reader."
It wasn't a case of me sitting down and thinking, right then, what shall I do with my life? Airline pilot? Plumber? Guitar manufacturer? Writer .... yeah, writer. I've always loved writing, from a very early age--I guess I was writing my first stories when I was still in single digits. It progressed, and the love of writing grew in my mind and is still growing. Doing it full-time, there are different stresses and tensions, and the business side of it comes to the fore sometimes. But I still love it, and I'm always thankful that I can do what I do and make a living from it.
From about ninth grade on, I knew I was a writer at heart. I had fantasies of being a great novelist, but I thought that seemed like an iffy way to try to make a living. So I tried journalism while in college, and really liked it. But even in journalism, I've always pursued ways to be somewhat literary, whether writing a column or writing books.
Purely the idea of writing a lot of books doesn't make you a great writer, but it might be that the process of doing a lot of writing will make you a much better writer.
Growing up, it was always, 'If you buy kosher meat, they're killed humanely.' But I've seen so many horrible videos. What we thought was humane 100 years ago is not humane anymore. The ways animals suffer, I just couldn't be a part of it anymore.
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