A Quote by Amor Towles

I've been writing fiction since I was a kid. From the age of 15 to 25, I probably wrote more than 50 short stories, one of which was published in 'The Paris Review' in 1989.
I've been writing since I was sixteen. At first, I wrote mostly short stories and poetry. The first thing I ever had published was a poem about a football game. It was printed in my local newspaper.
'The Paris Review' was always the pinnacle: it was the place to be published. You were thrilled if you were published in 'The Paris Review,' and George Plimpton himself was practically mythical. He was a legendary figure.
The first fiction I ever wrote was short stories. I was writing short stories in my late teens and early twenties, and I think it's how you teach yourself to write.
I only published my first novel at the age of 40. Till then, I wrote short stories.
I've always been ambidextrous, writing short stories and novels, and I pretty much have been writing a novel and a handful of short stories every year since '91.
I started writing when I was 11. In my late teens, I was writing short stories of every conceivable type and sent them to everything from 'Future Science Fiction' to 'The Sewanee Review.'
I've been writing songs since I was like six or seven. I've been writing poetry and short stories and stuff, but my first serious, serious song, I wrote when I was fourteen.
On the other hand, now that I'm not dependent on fiction for my income, I've been writing more short stories despite the fact that there's no real paying market for short horror other than Cemetery Dance.
I started by writing short stories, but they weren't very good; I tried them on various magazines, and none of them was published. People were nicer then about turning you down, and so I didn't lose heart - I kept on writing and wrote a lot of books, one or two of which I finished, and others I didn't.
About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction.
The resistance to my work, and to my way of writing, has been there from the beginning. The first things I wrote were these short short stories collected in At the Bottom of the River, and at least three of them are one sentence long. They were printed in The New Yorker, over the objections of many of the editors in the fiction department.
I was 17 when I wrote a collection of short stories and wanted it published but it didn't happen. A lot of publishing houses don't allow young authors to enter into writing segments.
I was writing everything. I grew up in Albany, New York, and I was never any farther west than Syracuse, and I wrote Westerns. I wrote tiny little slices of life, sent them off to The Sewanee Review, and they always sent them back. For the first 10 years I was published, I'd say, "I'm a writer disguised as a mystery writer." But then I look back, and well, maybe I'm a mystery writer. You tend to go where you're liked, so when the mysteries were being published, I did more of them.
It's been more than a decade since I put that self-published novel, 'Lip Service', up on a website. Since then, many hundreds of authors have gone from self-published to traditionally published.
I always wrote as a vehicle for expression but did not try writing for publication until my mid-thirties, at which time I started writing for magazines. I wrote essays and then short stories, then moved into novels.
I wrote a novel in my early twenties; I won a high school prize - my short story got published, and I got 50 dollars, which was a huge deal.
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