A Quote by Amor Towles
As a traveler, I should probably count myself fortunate to be living in the jet age, and as an author, I know I am lucky to have a book tour at all.
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I feel really blessed that I found what I love doing and was able to make it a living from such a young age. I realize that I'm really fortunate. I didn't train; I kind of got lucky. And I remember that every day. I think I have to remind myself of that to really, fully appreciate life now.
The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.
My age is my own private business and I intend to keep it so - if I can. I am not so old that I am ashamed of my age and I am not so young that I couldn't have written my book and that is all the public needs to know about my age.
I’m one of those very lucky people who absolutely love what they do for a living. There is no career better suited to my eccentricities, strengths, and passions than that of a children’s book author.
I know a lot of people my age are still trying to figure out what to do, and I consider myself lucky that I can make a living doing something that I truly enjoy.
I've never been much of a European traveler. London once on a book tour, and Italy because that's where Ferraris are from. That's about it.
Reading a book should be a conversation between you and the author. Presumably he knows more about the subject than you do; if not, you probably should not be bothering with his book. But understanding is a two-way operation; the learner has to question himself and question the teacher, once he understands what the teacher is saying. Marking a book is literally an expression of your differences or your agreements with the author. It is the highest respect you can pay him.
Snooki is a bestselling author? Huh? What? I don't know if I should dumb down my book, shoot myself or find a publisher who'll settle for a rough draft written on a Pop-Tart and a coconut lotion handie.
To take pressure off myself, I realize how fortunate I am to be playing a sport for a living. If I take that mentality onto the court, there shouldn't be any pressure because I'm already fortunate to do what I do.
I am sure that no traveler seeing things through author spectacles can see them as they are.
You've come to know the fortunate and the inauspicious stars, but you don't know whether you yourself are fortunate or lucky.
Expressing myself is what I love most; not having enough time is what I hate about it... I keep to myself, though, when I am on tour, and focus on the tour.
I don't know anybody who thinks they have it all... I count myself extremely lucky to have a fantastic family and the career I always wanted.
I don't know what to say about this book. The experience on which it is founded is so extraordinary, that an honest record of it should be preserved . . . But it would have driven me mad; and I am not sure that the author came out of it without a slight derangement.
Age is a very psychological thing; I do not know how old I am if you ask my age. Age is calculated by when you get born, but I do not agree with that parameter. I sometimes feel like 25, sometimes 12 and at times 40, and I love that about myself as an artist. I am not stuck to a particular age.
I am an author-illustrator of children's books - and yet - I must confess I don't do the books for the kids. When I'm working on a book I'm somewhere else - at the circus - or a rustic old farm - or deep in a forest - with no thought of who might read the book or what age group it would appeal to. I write them so I can illustrate them.
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