A Quote by Amos Bronson Alcott
A good book is fruitful of other books; it perpetuates its fame from age to age, and makes eras in the lives of its readers.
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Books are just dead words on paper and it is the readers who bring the stories alive. Previously, writers wrote a book and sent it out into the world. A couple of months after publication letters from readers might arrive. And, leaving aside the professional reviews, it is really the reader's opinions that the writer needs. They vote for a book - and a writer - with their hard earned cash every time they go into a bookstore (or online - that's my age showing!) and buy a book.
The distinctions of what makes a book one genre or another can sometimes be a bit muddy, but generally it's a matter of projecting who the audience will be, which is a judgment that's based on the subject matter. 'Mainstream' is the cleanest label for a book that draws readers of both sexes and from a wide age-range.
I think more people are going to continue reading YA as well as reading other books because they have learned that they can find books there which they will truly love: a teenage protagonist is close enough to adult so readers of whichever age can sympathise and empathise with them.
I remember that when I was in my 30s, a hot age for an actress, lots of offers were coming in, but nothing was great, and I didn't work for 18 months. It was at a really fruitful age, and I wanted to work. There was nothing coming down the pipeline that I thought was good - and then I got 'The Piano.'
In today's day and age, where so many kids are taught to specialize so early, I want to show them you don't have to - at a young age, high school age, college age and hopefully a professional age.
You cannot invent an algorithm that is as good at recommending books as a good bookseller, and that's the secret weapon of the bookstore - is that no algorithm will ever understand readers the way that other readers can understand readers.
This is an exciting time. I believe we stand at the edge of a new age - a Golden Age - of freedom that will rival any of the great eras of world history because it will be the entire world itself that is changing.
We both [with Suzanne Collins ] felt strongly that you wouldn't want to age up the characters, no matter the age of the actors playing the roles. They should be playing the age that they are in the [Hunger Games] books. It would let people off the hook, if you said, "Well, instead of 12 to 18, why don't you make them 18 to 25 or 16 to 21?" If you don't stay true to the horror of the fact that they are 12 to 18, you're not doing justice to the book.
My age is my own private business and I intend to keep it so - if I can. I am not so old that I am ashamed of my age and I am not so young that I couldn't have written my book and that is all the public needs to know about my age.
We live in an age of science and of abundance. The care and reverence for books as such, proper to an age when no book was duplicated until someone took the pains to copy it out by hand, is obviously no longer suited to ’the needs of society’, or to the conservation of learning. The weeder is supremely needed if the Garden of the Muses is to persist as a garden.
I recommend anybody go to a bookstore, go down the self-help or new-age section, and just walk those aisles. See what book jumps out at you; there's a good chance it's a book you need in your life. That's basically how I find the books that I read.
Age is the biggest risk factor for many diseases. You're 100 times more likely to get a tumor at age 65 than age 35. It makes a huge difference. It gives a whole new meaning to preventive medicine.
I am an author-illustrator of children's books - and yet - I must confess I don't do the books for the kids. When I'm working on a book I'm somewhere else - at the circus - or a rustic old farm - or deep in a forest - with no thought of who might read the book or what age group it would appeal to. I write them so I can illustrate them.
Children's books have great potential to reveal new possibilities to readers, because the intended audience is at an age of genuine learning.
At the same time, I think books create a sort of network in the reader's mind, with one book reinforcing another. Some books form relationships. Other books stand in opposition. No two writers or readers have the same pattern of interaction.
A book is always a dialogue with other readers and other books.
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