A Quote by Amos Lee

I don't really know that there's any real rules for songwriting. — © Amos Lee
I don't really know that there's any real rules for songwriting.
I'm an untrained musician. Untrained musicians don't really have any music theory, they don't have a lot of rules. We break the rules, but it's mostly because we don't know what the rules are. It's easy for us to go to certain places, so I'm not surprised that a lot of people were amused by my songwriting style.
I had to really do some studying and examination of my own songwriting and I realized that, there's not a formula by any stretch of the imagination and aren't any rules, but there are principles. The first one is that art is a process, not a product. In fact, that holds true for damn near everything we do in life. The product is just something that happens. If you're faithful to the process, the product takes care of itself.
I really wanted to focus on my songwriting, or songwriting with other people. I wanted to go learn from other people who were really good at the classic, more traditional idea of songwriting.
People who don't know anything tend to make up fake rules, the real rules being considerably more difficult to learn.
I miss working. It's real, you know? But I don't know anything but songwriting, and I don't even know that. I didn't go to school; the only thing I know how to do is this. The only thing that I know is that I know nothing.
Within the songwriting community, there are these unwritten rules for the way that a song should be written in country music, and I think that those rules are constantly being broken over the years, and the molds change and the process is evolving.
My songwriting process is painful. Songwriting is brilliant. It's a load of fun - when it works. It's really difficult as well.
Songwriting was always my 'plan B'. I didn't even know that songwriting was a job until my late teens!
Sports is so hard for me to wrap my head around. I never played any sports, I don't watch any sports, I hardly know the rules to any sporting event. Really, I'm borderline mentally damaged when it comes to sports.
Parliamentarian rules, the rules of the House, how you get bills referred, really the nuts and bolts that most members don't ever want to know because it's a lot of work. But that's what really makes you successful.
What I do is I really enjoy and appreciate the challenge of songwriting and singing and performing and just being really, really grateful at all times. Also, I have no fear or problems with saying no and setting boundaries, you know, with the label, with my management.
Ballroom dancing: it's a wonderful thing at so many levels because you've got to follow the rules. They used to call those rules etiquette once upon a time, but you don't really have that any more.
The only thing I took advantage of at Extreme Rules was an opportunity to cash in my Money in the Bank contract, which I did successfully, well within the rules. You know, Jeff knows this, you know this, the fans know this: nowhere on that contract does it say, under any circumstances, 'Do not cash in on Jeff Hardy.'
When you're in a songwriting class, and you write a song, and you hand it in to a teacher to grade, I'm still going to say that it's a really awesome song whether I got an A or a D. I learned to stick to my guns and take the tools as tools and not as rules.
I've been really trying to hone the art of songwriting in a way that doesn't follow any sort of guideline.
Creativity means learning where the rules exist, and then breaking them! Saying, "It's better this way." But you have to know the rules in order to break them with any grace.
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