A Quote by Amos Lee

I don't know anything about music theory at all. Zero. But I don't really need to. — © Amos Lee
I don't know anything about music theory at all. Zero. But I don't really need to.
I really don't like art where you need to know so much theory to understand. If the theory is removed, it doesn't do anything. That means that this work is an illustration of theory, and I don't believe in the power of the work itself.
Music is really everything I know. To be honest every experience I've ever had has been brought up from music and everything I do is because of music. I don't know anything else, I think about music before I go to sleep and it just really is everything that I am.
I really don't know anything about music. I don't really listen to it. I don't know anything about the history of music.
A zero itself is nothing, but without a zero you cannot count anything; therefore, a zero is something, yet zero.
That is my way of doing things, and I wouldn't necessarily recommend this to anybody else; if you need to do technical exercises, you do them. The whole point of practicing is to get to know yourself, to know your weaknesses and to zero in on them and target them. It's not really about employing anybody else's formulas, because you really have to find what is best for you and what you need.
You don't need any specialized education and you don't need to know anything about the world in which I work. I think my music should be able to speak to you even if you've never been to a concert of classical music before.
People are always asking for the latest developments in the unification of this theory with that theory, and they don't give us a chance to tell them anything about what we know pretty well. They always want to know the things we don't know.
People are always asking for the latest developments in the unification of this theory with that theory, and they don't give us a chance to tell them anything about one of the theories that we know pretty well. They always want to know things that we don't know.
Elvis Presley once said that I don't know anything about the music. It is because he is the music itself! The nightingales don't know anything about the music!
I wouldn't know anything about opera music if it wasn't for Bugs Bunny. That was my entire introduction to opera music. I wouldn't know anything about classical music if it wasn't for "Fantasia." They didn't have to do that stuff. They chose to base this ridiculous, funny, intriguing, creative story on this beautiful classical music. It's the combination of the high and the low that I thought was very cool. But I had no concept of it as a kid.
Part of my big message with all this is that if you are alive, you know all you need to know about the message of classical music, because more than any other music, it is about the way life really is.
It's that weird need to make tragedy about us. When you look at 9/11, there's people who really died and family members who really suffered. And then I would be in Montana, and a guy would go, "You know, I was close to Ground Zero." And it's like, "What are you talking about? You're in Montana." Everybody had to make it about them.
Any talk of 'craft' makes me laugh. My music looks outward; it does not gaze upon itself in admiration. Artisanal is for cheesemakers. I don't know anything about music theory. Every time I approach my guitar, it's like the first time. There's no craft in that.
Filmmaking in general is about feeling and not about theory. You need to know a lot of rules about filmmaking: character development, grammar, and all these thing, but then you use it instinctively. I ask myself this question all the time. I have no solid theory, I just do what I feel is right.
I really don't know anything about music, and it's no great experience for me. But I do think that music has a purifying element.
The only number that would ever be enough is 0. Zero pounds, zero life, size zero, double-zero, zero point. Zero in tennis is love. I finally get it.
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