A Quote by Amos Oz
A little more than a hundred years ago, "Tel Aviv" was not a city. It was a title of a novel written by an author. The "Return to Zion" was a name of another novel. There was a bookshelf. There was no country. There was no state. There was no nation. There was no physical Jewish reality in this country.
Related Quotes
Israel is a fulfilled dream. Nothing that exists here existed here a hundred years ago. "The State of the Jews" was not a title of a country. It was a title of a futuristic novel. A little more than a hundred years ago, "Tel Aviv" was not a city. It was a title of another novel written by the same author. The "Return to Zion" was a name of another novel. There was a bookshelf. There was no state. There was no nation. All you can see, if you look through the window - everything you see is a fulfillment of dreams, different dreams.
I like Tel Aviv; I live in Tel Aviv, but our right of return is Jerusalem. We did not return after 2,000 years for Tel Aviv but for Jerusalem.
"The State of the Jews" was not a title of a country. It was a title of a futuristic novel.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
One person may need (or want) more leisure, another more work; one more adventure, another more security, and so on. It is this diversity that makes a country, indeed a state, a city, a church, or a family, healthy. 'One-size-fits-all,' and that size determined by the State has a name, and that name is 'slavery.'
When I complete a novel I set it aside, and begin work on short stories, and eventually another long work. When I complete that novel I return to the earlier novel and rewrite much of it. In the meantime the second novel lies in a desk drawer.
For a Jewish Puritan of the middle class, the novel is serious, the novel is work, the novel is conscientious application why, the novel is practically the retail business all over again.
Israel is a wonderful country, especially Tel Aviv.
South Tel Aviv has turned into the garbage can of the country.
A trip to Tel Aviv is a ritual. I always wear the same clothes to Tel Aviv: black pants and a blue-checked shirt that I bought especially from Ralph Lauren.
The subject of the novel is reality liberated from soul. The reader in complete independence presented with a structured process:let him evaluate it, not the author. The façade of the novel cannot be other than stone or steel, flashing electrically or dark, but silent.
Tel Aviv was established in 1909 by a group of secular Jewish families; Judaism's origin story is about 2,000 years older.
Since I grew up, I have never deliberately used any technique at all other than the physical shaping of my tale so that it more or less resembles what has been thought of as a novel for these last two hundred years.
We are living in a state of constant scientific revolution. There is not a single area that you can name that is now seen as it was seen a hundred years ago. Nothing is left of the world view of one hundred years ago.
Is it not superfluous to write more than one novel if the writer has not become, say, a new man? Obviously, all the novels of an author not infrequently belong together and are to a certain degree only one novel.
... a novel survives because of its basic truthfulness, its having within it something general and universal, and a quality of imaginative perception which applies just as much now as it did in the fifty or hundred or two hundred years since the novel came to life.
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