A Quote by Amos Oz

Different musical instruments provide for different music. — © Amos Oz
Different musical instruments provide for different music.
Of course my books are translated into many languages. I have here, in my home, translations on my shelf of my books into forty-five different languages. Almost none of them I can read. I can read only the English editions. But, I know that a translation of a work of literature is like playing a violin concerto on the piano. You can do this. You can do this very successfully on one strict condition: never try to force the piano to produce the sounds of the violin. This will be grotesque. So, different musical instruments provide for different music.
My father was able to play a number of musical instruments and I fell in love with classical music in my teens and I allowed it to influence me. I like to think I took and still do from classical music and various techniques, I have made classical albums and recorded seven different pieces of Bach on different albums and its all music too me.
I give myself different roles. I think in different ways on different days. Sometimes I think of it as cooking - different flavors and different ingredients. Sometimes I think of it like orchestrating a piece of music with all the different instruments.
I definitely enjoy working within different contexts, with different collaborators, and in different locations. I need to keep feeding myself as an artist by working with different people. I see continuing with that. I've also enjoyed getting to explore different kinds of music and instruments in the last couple of years.
For a long time in the 1970s, I was experimenting to build musical instruments and use them. I did a lot of ethnic music studies and other things, like electronic music. Making homemade musical instruments and performing was my major activity from the time.
Initially, when I was making the bagpipes and reed instruments, it was different from the other instruments. In terms of sound itself, it may not be different, but in performing with it, it was a necessity to build it if I was going to perform and make scores with it. By making the instruments, it helped me compose the way I want.
Identity is made up of lots of different things now. Different colors and patterns stand out at different times. Different instruments in the symphony of being are more distinct than others at different times.
The thing is, there are so many different ways to make music these days with virtual instruments, software applications, physical instruments, and computer programs.
That's the kind of musical freedom I like: jazz, rock, blues, anything. You adopt different attitudes when you play different music.
Even though there are so many different 'kinds' of music - different textures, different timbres, different attitudes - there is something divine at the core of all music.
I think of myself as a jazz player, and my music as a natural extension of the jazz tradition. What I'm doing is completely free improvisation ('composing in real time') with nothing predetermined. I've had a lot of experience playing many different kinds of music and several different instruments, and since I tend not to waste anything, it all shows up somewhere in the music I'm playing now.
I can conduct and play musical instruments, but dancers' counting is different - they only go to eight beats, which doesn't relate to a bar.
I was able to learn a new language - a new musical language is learning a new language, because it's so extremely different from Western classical music. African music is completely different.
I was put on so many different musical stages growing up that I didn't think about what kind of music we played. I just thought music was music.
I make a lot of music for different people. My audience is varied so I use different tempos for different music in order to satisfy my many fans.
There is perhaps nothing that is not musical. Perhaps there's no moment in life that's not musical... All instruments, musical or not, become instruments.
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