A Quote by Amos Oz

My musical instrument is Hebrew and, to me, this is the most important fact about my writing. — © Amos Oz
My musical instrument is Hebrew and, to me, this is the most important fact about my writing.
My musical instrument is Hebrew and, to me, this is the most important fact about my writing. I write in words. I don write in sounds or in shapes or in flavors. I write in words. And my words are Hebrew words.
The very same book, even if it is translated very accurately, let's say from Hebrew into English or from English into Hebrew, becomes a different book because language is a musical instrument.
Literature belongs first and foremost to the language in which it is being written. The very same book, even if it is translated very accurately, let's say from Hebrew into English or from English into Hebrew, becomes a different book because language is a musical instrument.
My dad and I compete on the pool table; that's the most important competition of our lives. The fact that I'm writing and it works for me is one of the great joys for him. We talk about writing, and it's great.
I've always felt a great affinity with music. I've felt myself to be more of a musician than anything else, though I'm not proficient in any one instrument. But I think I have a musical sense of things... and writing seems to me to be a musical experience - rhythmically and in many other ways.
I feel very much a part of what I'm writing about, and I'm writing about things that concern me on a daily basis. I'm not really interested in writing musical diaries, if you know what I mean.
I think it all comes back to the individual. My instrument's just a pile of metal and wood! If you listen to the way I speak I have a lot of rhythm, use a lot of accents. When I'm playing my instrument that concept comes through very clearly. In fact some people who've seen me play have noticed that I'm singing - but it's more that I'm actually speaking. So it's not really about the instrument. But for me, in my thinking, the music is all about the melody. When I compose, 99 percent of the time I start with the melody.
Hebrew is my first language, so it's really the most personal and the most simple. When I write in Hebrew, I don't look for sophistication in music; it's just pure emotion that comes out.
I think first thing and the most important thing, for me, is that Boston becomes my musical home, my musical family.
With music, you could stick someone with a musical instrument or even not a musical instrument, get them to showcase their talent, and within 30 seconds you could tell whether they were good or not, but with acting you have to give them the right part.
I'm twelve years old. I run into a synagogue. I ask the rabbi the meaning of life. He tells me the meaning of life but he tells it to me in Hebrew. I don't understand Hebrew. Then he wants to charge me $600 for Hebrew lessons.
The human voice is the first and most natural musical instrument, also the most emotional.
It sometimes happens to me while writing, that I seek a word; mischievous as it is it appears in English, it appears in Arabic, but refuses to come in Hebrew. To some extent I made up my Hebrew. Unquestionably, the influence of Arabic is dominant, my syntax is almost Arabic.
Piano playing is a dying art. I love the fact that I can be one guy with one instrument evoking an emotional and musical experience.
I started writing when I was around 6. I say 'writing,' but it was really just making up stuff! I started writing and doing my own thing. I didn't really know what a demo was or anything like that, so I started getting interested in studio gear and started learning about one instrument at a time. My first instrument was an accordion.
Opinion in all parts of the world would agree that Rachmaninoff is the most complete of living masters of the instrument; his technique is comprehensive, and he is, of course, musical to his bone's marrow. Most important of all, he is a composer, and for this reason he is able to approach a work as none of his pianist contemporaries can approach one - that is, from the inside, as an organic and felt creative process.
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