A Quote by Amrita Rao
In 2010 I had signed three big banner films with actors like Amitabh Bachchan, Tabu, Arjun Rampal. Directors like Ken Ghosh, Bela Bhansali signed me and I had got my signing amounts but those films did not take off at all.
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It is unintentional that I will do less films, it just happened that way. Like in 2000, I had a line of films signed but it all went for a toss. The films never got made... It just happens.
Directors like William Friedkin (Killer Joe), Steven Soderbergh (Magic Mike) and Lee Daniels (The Paperboy) got in touch with me and wanted me to be part of their films. That was a whole new chapter for me. I didn’t chase any of those films and it made me think that I was right to take a chance, say no to the kind of thing I had grown tired of doing, and wait until something good came around. And it did.
I had to continuously do films to shrug off the mini-screen image and it was a struggle. Initially, I was taken off from many films due to this and I dealt with it by signing every other film I got, even compromising on the quality.
My whole life has been completely about being underestimated. I remember when Blink signed to a major label, and we had a debut party for the signing. No one came to party, only the guy that signed us. And I remember sitting there, like, "S**t, no one likes this."
I'll say about Fueled By Ramen is, I don't know what anyone else's experience has been, but we signed to them as Fun. We already had a fanbase, we already had music out there so when they signed us they were signing our vision. I always think it's so weird when people think that Fueled By Raman are trying to change us or mould us into something else, as we weren't a bunch of kids playing in a garage who joined a label and then collectively worked on a vision, like, they signed us with the intention of letting us be Fun.
When my fans and actors like Rajinikanth and Amitabh garu wished that I do films once again, I thought I should do. I had some skepticism in me, initially. But looking at the encouragement, I grew in confidence.
When I went to university, I finally got exposed to European films, and they had a strong impact on me. I felt those films had a lot of things to say that weren't getting expressed in the films I was used to seeing.
I’ve always had a big crush on Arjun Rampal. He’s so damn good looking
I could have signed 10 films after 'Jai Ho,' but those films would have done nothing for me. I wanted to wait for the right project.
I was slightly disheartened when three of my films didn't work at the box-office. But the silver lining is that people did appreciate my work in those films. Had my performance gone unnoticed, I would've been in big trouble then.
When I turned 20 I signed my south film and by the time I was 23, I had done three south films.
I had a great time at Roma, but Milan have made me feel like a young boy again. When I signed for them I was as excited as I was when I signed my first ever contract.
I play the leading lady in Arjun Rampal's latest production, 'Daddy'. It's a very bold, performance-oriented role, and the team had originally cast someone else. However, when Arjun saw my performance in 'Kaaka Muttai,' he roped me in.
For me, it's always been a financial kind of scenario. I was actually the first one who signed the 'exclusive to Ring of Honor' contract. I was the first guy who ever signed one of those contracts. That was tough for me because I had no one to talk to. I had no examples to go on. I was the guinea pig.
I'd say I got three or four offers for films that had female directors, so in my career I haven't had that opportunity before. That's exciting.
I studied cinema at the university so I had a very classical approach to it. I studied all those silent films, and then the films from the 1940's, the Nouvelle Vague, the late Hollywood films. Now I realize, as a young actor, that it's one of my duties to actually be aware of what is today's industry and today's next big directors.
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