A Quote by Amrita Rao

Innocence has died in Bollywood. — © Amrita Rao
Innocence has died in Bollywood.

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The innocence of those who grind the faces of the poor, but refrain from pinching the bottoms of their neighbour's wives! The innocence of Ford, the innocence of Rockefeller! The nineteenth century was the Age of Innocence--that sort of innocence. With the result that we're now almost ready to say that a man is seldom more innocently employed than when making love.
Prudishness is pretense of innocence without innocence. Women have to remain prudish as long as men are sentimental, dense, and evil enough to demand of them eternal innocence and lack of education. For innocence is the only thing which can ennoble lack of education.
I am greedy for both Hollywood and Bollywood. For me, Bollywood is not new, as it is something that I grow up on... I know the plot... stories and characters that are written and made. I haven't got the right opportunity to show my work in Bollywood.
I am not a part of Bollywood. Nobody cares about me in Bollywood and I have mentally resigned from Bollywood long ago. I am an independent filmmaker.
When I think of Bollywood dance, I think of choreographies from the '70s and '80s. That was true Bollywood, what is now known as old school Bollywood.
I can sing very comfortably from my vantage point because a lot of the music was about a loss of innocence, there's innocence contained in you but there's also innocence in the process of being lost.
I think you should do Bollywood once you are all into your own market. Doing a Bollywood song for a particular actor or producer, you should be known in the world outside of Bollywood music.
Earlier Bollywood was a fly-by kind of business which few wished to be involved in. Now Bollywood is good business and everybody wants to be associated with films. This is definitely a very significant change that I have seen in Bollywood.
There are no moments more painful for a parent than those in which you contemplate your child's perfect innocence of some imminent pain, misfortune, or sorrow. That innocence (like every kind of innocence children have) is rooted in their trust of you, one that you will shortly be obliged to betray; whether it is fair or not, whether you can help it or not, you are always the ultimate guarantor or destroyer of that innocence.
I want to do Hindi films, but a proper one and a good production. I'm even open to multi-starrers because those work better in Bollywood. But it should be with only Bollywood technicians, not the South Indian team. There's no point to my going to Bollywood if I work with the same artistes and technicians.
The snapshot has no pretense or ambition. Innocence is the quintessence of the snapshot. I wish to distinguish between innocence and ignorance. Innocence is one of the highest forms of being and ignorance is one of the lowest.
Why should Bollywood accept me? I should accept Bollywood. I don't care if Bollywood has accepted me. I don't seek acceptance. I don't need to live up to anybody's expectations.
I started out as a pop singer, then pop died down, and I had to dig my feet into Bollywood which is not something I wanted actually.
Experience had taught me that innocence seldom utters outraged shrikes. Guilt does. Innocence is a mighty shield, and the man or woman covered by it, is much more likely to answer calmly: 'My life is blameless. Look into it, if you like, for you will find nothing.' That is the tone of innocence.
On Good Friday Jesus died But rose again at Eastertide.....Lord, teach us to understand that your Son died to save us not from suffering but from ourselves, not from injustice...but from being unjust. He died that we might live - but live as he lives, by dying as he died who died to himself.
I don't put seriousness in Bollywood movies. Because in Bollywood, people want entertainment even if it has no meaning.
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