A Quote by Amruta Khanvilkar

The Marathi film 'Natrang' has amazing songs. I also like and have sufi and folk music. — © Amruta Khanvilkar
The Marathi film 'Natrang' has amazing songs. I also like and have sufi and folk music.
I put on 15 kg for my role as an amateur wrestler in the first half of the Marathi film Natrang.' Then, I lost 17 kg for the second half of the film where I play a nachya,' an effeminate character in traditional Marathi tamasha. The weight gain took 40 days and I lost weight in the next 40 odd days.
Northeastern folk music influenced me from a very young age. Sachin Dev Burman is one of the inspirational musicians in Indian film music. The way he fused folk music with his signature style is amazing. So, I am aware of the beauty of northeast folk music.
Priyanka Chopra has produced a Marathi film. Even John Abraham announced he wants to make a Marathi film. Suddenly everyone wants to jump on the bandwagon. Shah Rukh, Rohit Shetty also want to do a Marathi film. There is an awareness. But I hope they don't come and spoil the market by making their kind of cinema.
I have got a lot of appreciation from people and they really like my voice in Sufi songs, so I will continue with that, but I'm also experimenting with other types of songs.
Before I begin to write, I listen to music that inspires me. I listen to folk Punjabi music, sufi music.
Folk music is not so much a body of art as it is a process, an attitude, and a way of life; its distinguishing features lie not within the songs themselves, but in the relations of those songs to a folk culture.
Folk music - and what people are now perceiving as being folk music - is music that's quite close to the ground. The songs sound quite old, even if they're new. They sound like they've been sung by different people for years.
What I'm doing is basically the same as Bob Dylan did with folk songs and Woody Guthrie songs, the same as folk music's always done. I'm not going to sing about ploughing, but I'll write a song that sounds like it should be about ploughing.
If someone asked what kind of music I play, I wouldn't say I'm a folk singer; however, if folk music means music for the people, and playing music to entertain them and share different messages, then sure, I'd like to think that I'm part folk singer.
I have been exposed to different kinds of Marathi and Hindi music, classical music, and English songs since childhood.
I think there's a difference between the type of folk music that people put into the box of "folk music" and then there's the kind of folk music that I aspire to and am in awe of, and that is the kind of folk music where it's very limited tools - in most cases a guitar, in a self-taught style that is idiosyncratic and particular to that musician.
Folk songs in general, I like. The old spooky Scottish folk songs.
It's weird, in New York, it's like the big theme of everything is folk music and interacting with people. Maryland is where the landscape of our music comes from, it was more like, let's walk around. People are saying that we are part of some sort of folk scene. We don't feel connected with it. We do live in the city, and communicate with people. It's all folk music.
There was a time that I was only known for being a plagiarist. It used to hurt at times because there was so much effort I was putting into music. And instead of that, it was a couple tunes that I had reproduced from folk songs to remake as film songs, which were being written about.
Lizz Wright, we call her lovingly 'Amazing Grace.' She has a folk and gospel kind of approach to the music, and she writes beautiful lyrics and songs. She's like this balm that is really full and very rich and deep.
Bare Foot Folk and is full of really interesting songs, Ange Hardy takes folk tales and creates new folk songs that sound traditional around the story. This is one she's called mother willow tree, it's beautiful
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