A Quote by Amy Adams

I research every part thoroughly. I talk it out with my actor friends, but then I throw it all away when I get to the set. You have to be spontaneous. — © Amy Adams
I research every part thoroughly. I talk it out with my actor friends, but then I throw it all away when I get to the set. You have to be spontaneous.
I like doing a lot of research, and then you get there, you're in wardrobe, and then you're just reacting to what the other person is doing. The other actor is reacting to what you're doing, and it's this great back and forth. Because you've done all this research, you can use some of it or throw a lot of it out. You can get lost in it.
Songwriters can sort of get away with murder. You can throw out crazy theories and not have to back it up with data or graphs or research.
With films, you get to develop a set of characters, and then, at the end of the film, you have to throw them away.
It is obvious when an actor has put work into prep and research and understanding their character, and they're making choices, because that's what happens when you take the time - or have the time - to really think about the material, but that only accounts for about 60% of what happens on the day. When you're in the moment, you throw it all away. Well, you don't throw it all away, but it's in you now, and everything is reactionary in that moment and you have to be honest and present and listening.
I've never like had a system or a program, I always think that I don't know how to act. I'll adapt to any director because I don't really have a set way that I do things. If a director hires me and says, "I want you to get started right now and do this research, this research, this research and I want you to have every line memorized before you ever show up for the first day," then that's what I'll do.
I was on a show called 'SliDE' when I graduated from college, and then that set the premise of my love for acting. It was so much fun. I was on set with my best friends every day. From that, I got 'Home and Away' and it was such a relaxed, friendly environment. Everyone's so kind and supportive.
But I'm not going to let my knee alter anything I do in the ring. My move set is part of what makes me unique and there's no way I'm going to throw that away out of fear.
When I get into the moment of actually feeling like I want to write, to finish something, I do what I've always read authors do, and park myself at a desk and bang things out for three hours. And if I have to throw it all away, I throw it all away.
Hard work is the main thing-hard work and dedication. And I think a great part of it is goal setting. You set your goals to a point where they're attainable, but far enough away that you have to really go get them. And every year I push my goals a little bit farther away, and every year I work a little bit harder to get them. Every goal that I've set, I've been able to achieve. That's been very fulfilling.
Television is very different than working on film. With films, you get to develop a set of characters, and then, at the end of the film, you have to throw them away.
The object of pilgrimage is not rest and recreation – to get away from it all. To set out on a pilgrimage is to throw down a challenge to everyday life.
Honing a thing down until you can still get through with economy, that's power. Learn your technique thoroughly, immerse yourself in it, and then just throw it all out the window, and express what you feel... and it will come through that you are a technician.
The universe will throw somebody a bone every now and then, and you win the lottery. But for the most part, you get in this life what you put in.
People might be surprised to know how much I throw away. For every page I publish, I throw 10 pages away.
I'm not an actor who approaches films doing a lot of research. I do zero research, unless it's a film where I'm playing a mock version of someone who already existed. Then, you've got to do a lot of research.
The amount of preparation I saw from someone like [David] Fincher, and how aware he is of everybody else's job on the set, and how much respect he has for every aspect of the film, and every aspect of the frame - that's the type of actor I am now; it's not the type of actor I was then. But without understanding his process, and then coming to learn it later on, I would never be the actor I am now.
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