A Quote by Amy Adams
I had an existential crisis at the Oscars, sitting next to Sean Penn and Meryl Streep, and being like, 'What am I doing here? I don't belong here'. I felt like it could all be taken away.
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I'm crazy about the Coen brothers, I'm crazy about Sean Penn. I love the usual suspects like Susan Sarandon, Meryl Streep and people like that.
I felt like, you know, my presence in the world of cinema had a different meaning than Meryl Streep... There was an impact that was made, but it wasn't the usual.
When I was first starting out was also when I first started really paying attention to the Oscars and stuff like that. And I remember thinking, 'Wow, everything is great for women in Hollywood, because Meryl Streep, Glenn Close, Jessica Lange, Sally Field - they're all doing incredible work.'
[Working with Meryl Streep] I just felt like I was shaving years off my discovery as an actress to realize, "Okay, that's what this feels like."
I wanna meet Meryl Streep, so she can be my mama. I want Meryl Streep to be my mom in a movie.
Meryl Streep is exactly as awesome as you would imagine Meryl Streep to be.
Acting is my true love. I would like to have been a serious actor, and I plan to in the next life. I'm gonna be Meryl Streep Rivers.
The one person whom I would like to be is Meryl Streep. Even at her age, she sits alongside the younger heroines at the Oscars with her name in the nominee list, and others around her wonder whether they still stand a chance.
When I was a teenager, the actors I was really into were Mickey Rourke and Sean Penn. I saw 'Rumble Fish' on my 16th birthday, and around the same time, it was 'Falcon and the Snowman' and 'Bad Boys' from Sean Penn.
I had to learn all the pieces backward and forward [to play it in "Florence Foster Jenkins"]. We practiced on weekends. It was very much like being in school, except it was with Meryl Streep. Like, I would go to her apartment and we would practice Mozart's "Queen of the Night."
Right after 'Raymond' I had a world-is-my-oyster attitude, but I found out I don't like oysters. I had this existential emptiness.'What is my purpose? Who am I?' I had a big identity crisis.
Right after 'Raymond' I had a world-is-my-oyster attitude, but I found out I don't like oysters. I had this existential emptiness. 'What is my purpose? Who am I?' I had a big identity crisis.
As an actor, you don't become Meryl Streep by doing the same type of comedy. You get there by being challenged.
Acting is very personal. I don't want to be like anybody else. There are positions I would like to be in - like Meryl Streep's, for instance.
I'd like to think I could do something great - a performance like Meryl Streep's in 'Sophie's Choice' - at some point in my life. At the same time, though, I don't want to put too much pressure on myself to be great.
I think that's why Meryl Streep is working so much, because she looks like a woman we can all relate to. I look at her and I think, 'I'm chasing my kids, I've moved my parents in with me, I'm coping with food spills - that looks like me in real life'. Meryl looks like an unmade bed, and that's what I look like. To me, that looks true.
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