A Quote by Amy Bloom

My writing process, such as it is, consists of a lot of noodling, procrastinating, dawdling, and avoiding. — © Amy Bloom
My writing process, such as it is, consists of a lot of noodling, procrastinating, dawdling, and avoiding.
Writing music uses a whole different process that involves a lot of noodling and just seeing what comes.
Procrastinating, fighting and avoiding will only make it more difficult. The way out is to get it done.
We go to the office every day when we're writing - or supposed to be writing. It's not always productive, and there's a lot of procrastinating, just staring at the wall, like any other writing. But we just make ourselves go to the office every day for more or less the whole day.
My records have a lot of collaborators on them, and when you're writing a book, it's a very insular process that's very confusing and dark. It's a lot of writing and rewriting in a way that I don't do so much when I'm writing songs.
The process of writing fiction is totally unconscious. It comes from what you are learning, as you live, from within. For me, all writing is a process of discovery. We are looking for the meaning of life. No matter where you are, there are conflicts and dramas everywhere. It is the process of what it means to be a human being; how you react and are reacted upon, these inward and outer pressures. If you are writing with a direct cause in mind, you are writing propaganda. It's fatal for a fiction writer.
Virtue consists in avoiding scandal and venereal disease.
If you start to revise before you've reached the end, you're likely to begin dawdling with the revisions and putting off the difficult task of writing.
I grew up on film sets but more around the process of making films. I saw a lot of the editing process and the writing process, which takes years. That really affected me growing up, that side of it.
To many people virtue consists chiefly in repenting faults, not in avoiding them.
I've also been writing with my guitarist, Ted Barnes, and he's amazing. Writing with him has taught me a lot about my own writing process, in the sense that it's incredably personal to write with someone else from scratch.
I go back to [the idea] that we are avoiding all of these unknowns, we're avoiding the night - most of us - we're avoiding the encounters, but we're also afraid to deal with something unknown, unseen.
Writing for adults and writing for young people is really not that different. As a reporter, I have always tried to write as clearly and simply as possible. I like clean, unadorned writing. So writing for a younger audience was largely an exercise in making my prose even more clear and direct, and in avoiding complicated digressions.
As an actor, you see a sliver of how the show is made, but to see the actual writing process and the re-writing process and the casting process and art direction and set design - all of this is happening in a very intense period.
In live-action, writing, production, and editing happen in discrete stages. In animation, they overlap - happening simultaneously. This allows a real dialogue to occur between the writer, the director, the actors, and the editor, and it makes the writing process a lot more collaborative and a lot less lonely.
In live-action, writing, production and editing happen in discrete stages. In animation, they overlap - happening simultaneously. This allows a real dialogue to occur between the writer, the director, the actors and the editor, and it makes the writing process a lot more collaborative and a lot less lonely.
Part of the happiness of life consists not in fighting battles, but in avoiding them. A masterly retreat is in itself a victory.
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