A Quote by Amy Bloom
I usually don't have to do a lot of research in my work, as I'm writing about something I'm already familiar with.
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I write about banking because it is something I'm familiar with. Also, I don't have to do much research on it.
If you're familiar enough with my body of work, my voice is a familiar totem, in a sense. I guess I have something characteristic in the way that I sing, although I'm not very personally self-conscious about it, so I don't think about it that much. But when I hear the record I can tell it's me.
I don't actually tend to do a lot of research when I'm writing. I do know because I think a lot of what I find you want to do with research is just confirming things you want to do. If the research contradicts what you want to do, you tend to go ahead and do it anyway.
I can work a lot faster when I'm writing a screenplay than when I'm writing a play because, if I'm having a problem with a scene or something, I can just be writing it in a way where there's no dialogue, or find a way to make sound do the work that I want to do or a close-up do the work that I need to do.
If a student takes the whole series of my folklore courses including the graduate seminars, he or she should learn something about fieldwork, something about bibliography, something about how to carry out library research, and something about how to publish that research.
My writing process hasn't changed - it's is the same whether I'm working on a Y.A. novel or, as now, a new novel for adults. A lot of reading, a lot of research if the subject warrants it, a lot of sticky notes and scraps of paper - and get to work.
I make work that tries to sort of connect with something really, really familiar. I don't try to make work that's original. I try to make work that's quintessential. That's what I mean about the familiar. It operates with stuff that people already know or information that they already have and I try to just use that. Quintessential means like the perfect minimalist sculptor.
I like to do books in which a lot of the research and the writing and the thinking revolves around something American.
When it comes to sermon writing, generally there are two problems. Some preachers love the research stage but hate the writing, and they start writing too late. Others don't like doing research, so they move way too fast to the writing part.
There's something I have about being Canadian - there's a distance it gives you when you live in the States and operate in American culture. You approach familiar things a different way; you come at it from a different angle. It's a trait that runs through a lot Canadian artists' work and actors' work and musicians' - that kind of special remove.
Because I work quite slowly, I have to keep myself interested over a long research and writing period. So I can't see myself writing about modern middle-class Londoners anytime soon.
One book at a time... though I'm usually doing the research for others while I'm writing, but that sort of research is fairly desultory and I like to stick to the book being written - and writing a book concentrates the mind so the research is more productive.
When I'm not writing, I do a lot of research reading on the shape of civilization. Fiction can be a lot of different things... but I feel like it's my job to write about the way things are.
I do a lot of research. For 'I Am Legend', I did a lot of research about survivors. If everybody is dead around you, how you can keep surviving. I went to the bookstore and found psychiatry books about survivors from the Holocaust.
It takes me awhile to find something that I'm passionate about. I'm reading a lot and thinking a lot, and torturing myself a lot because I'm feeling really guilty for not writing something today.
There's an element of ego to writing the Riddler. You research a lot of things that you end up jettisoning as a writer, and Riddler was a lot of fun to get to have that sort of annoying know-it-all personality lording over the city. He's a lot of fun to write about.
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