A Quote by Amy Chua

You know, parenting is so personal. And we're all afraid that we didn't quite get it right. And it feels like the stakes are so high. By we - what if we made a mistake? — © Amy Chua
You know, parenting is so personal. And we're all afraid that we didn't quite get it right. And it feels like the stakes are so high. By we - what if we made a mistake?
In New York the stakes are so high. In urban centers the stakes are so high. You marry the wrong person, you go to the wrong college, you take the wrong job. Any of these things could really get you in trouble down the road. Or in your mind anyway. You're afraid to make any move, it's paralyzing.
The stakes are so high because auditions are make or break. You get the job or you don't. The stakes are about as high as they get, for yourself and your own self-esteem.
I'm afraid that we all make mistakes. One of the things that defines our character is how we handle mistakes. If we lie about having made a mistake, then it can't be corrected and it festers. On the other hand, if we give up just because we made a mistake, even a big mistake, none of us would get far in life.
Suddenly, one day, there was this thing called parenting. Parenting was serious. Parenting was fierce. Parenting was solemn. Parenting was a participle, like going and doing and crusading and worrying.
It is not a mistake to commit a mistake, for no one commits a mistake knowing it to be one. But it is a mistake not to correct the mistake after knowing it to be one. If you are afraid of committing a mistake, you are afraid of doing anything at all. You will correct your mistakes whenever you find them.
That pressure of shooting a fragrance campaign can be quite intense, because there's a lot of people involved and the stakes are quite high.
We're just afraid, period. Our fear is free-floating. We're afraid this isn't the right relationship or we're afraid it is. We're afraid they won't like us or we're afraid they will. We're afraid of failure or we're afraid of success. We're afraid of dying young or we're afraid of growing old. We're more afraid of life than we are of death.
My history is long, and not much of it is good. I can't erase it, but I'm determined not to make another mistake. Not when the stakes are high, not when it comes to you.
Do the work and then let the rest speak for itself and know that it feels personal, I knew it for me when I was younger. It all feels so personal, but if it's for you, it's for you. And if it's not, that's okay because the other door will open. The right door will open.
I think the stakes are always high when you're an artist of color - to get things right, to get things perfect and make everybody happy.
The mistake isn't releasing something bad. The mistake is to launch it and get PR people involved. You don't want people to start amping up expectations for an early version of your product. The best entrepreneurship happens in low-stakes environments where no one is paying attention, like Mark Zuckerberg's dorm room at Harvard.
I've been doing sci-fi for two years, and there is always something big going on. The stakes are always huge. You're fighting for your life, or you're dealing with personal stuff. It has really high stakes attached to it, and there are green screen and explosions. You're going out on these really cool locations.
I think the stakes are always high when you're an artist of color - to get things right, to get things perfect and make everybody happy. But I'm not concerned with politicians and what they think. And I'm not always going to succeed. I'll have missteps, but I hope that people will be patient with the show and us and know that our intentions are good.
Concentrate and think upon the problem in mind until a satisfactory conclusion is reached, and then finally go ahead. If you have made a mistake, all right. Never find fault with a man because he has made a mistake. It is only a fool that makes the same mistake the second time.
I got a little bit of a sense for the subculture, which is the equivalent of any subculture, really. The stakes are high, even if you live in a small town. It's like the annual bass fishing contests, or whatever it is. The stakes are always absurdly high, and this is no different. The competition at this butter carving things, from what I understand, is not that far off from what we're depicting in the movie.
High stakes, low stakes, poor or rich - people will find a way to gamble.
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