A Quote by Amy Hempel
I assemble stories-me and a hundred million other people-at the sentence level. Not by coming up with a sweeping story line.
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There are a million ideas in a world of stories. Humans are storytelling animals. Everything's a story, everyone's got stories, we're perceiving stories, we're interested in stories. So to me, the big nut to crack is to how to tell a story, what's the right way to tell a particular story.
I don't know what that line is between fiction and non-fiction that other people have in their minds, but to me, when I'm writing, it's just like whatever the next sentence should be is the next sentence. It's not this artificial division.
The legislative job of the President is especially important to the people who have no special representatives to plead their cause before Congressand that includes the great majority. I sometimes express it by saying the President is the only lobbyist that one hundred and fifty million Americans have. The other twenty million are able to employ people to represent themand thats all right, its the exercise of the right of petitionbut someone has to look after the interests of the one hundred and fifty million that are left.
There's always a story. It's all stories, really. The sun coming up every day is a story. Everything's got a story in it. Change the story, change the world.
It's kind of like sentencing. A lot of people say that we have a heavy sentence for this crime and a light sentence for another crime, and what we ought to do is reduce the heavy sentence so it's more in line with the other. Wrong. In most cases we ought to increase the light sentence and make it compatible with the heavy sentence, and be serious about punishment because we are becoming too tolerant as a society, folks, especially of crime, in too many parts of the country.
Give me a kiss, and to that kiss a score; Then to that twenty, add a hundred more: A thousand to that hundred: so kiss on, To make that thousand up a million. Treble that million, and when that is done, Let's kiss afresh, as when we first begun.
Maybe instead of strings it's stories things are made of, an infinite number of tiny vibrating stories; once upon a time they all were part of one big giant superstory, except it got broken up into a jillion different pieces, that's why no story on its own makes any sense, and so what you have to do in a life is try and weave it back together, my story into your story, our stories into all the other people's we know, until you've got something that to God or whoever might look like a letter, or even a whole word.
What 'Hundred' has done for me, it has open up avenues where people find more things about me, other than my body or the way I look because coming from TV background, there is anyway a little less perspective given to the kind of talent we possess.
Annihilation has no terrors for me, because I have already tried it before I was born -a hundred million years -and I have suffered more in an hour, in this life, than I remember to have suffered in the whole hundred million years put together. There was a peace, a serenity, an absence of all sense of responsibility, an absence of worry, an absence of care, grief, perplexity; and the presence of a deep content and unbroken satisfaction in that hundred million years of holiday which I look back upon with a tender longing and with a grateful desire to resume, when the opportunity comes.
For a million dollars, the Russians would take two people, a million apiece, around the moon and back. However, stories, videos that come from the space station, and other people, are a great inspiration to young people for an exciting career field.
'Monkeys' is made up of nine short stories that tell an overall story. 'Folly' is a series of vignettes all put together to tell a larger story. In 'Lust and Other Stories,' there are nine stories - three, three, three; the beginnings of love, the middles, and the afters.
If someone offered me a hundred million dollars to make a movie? I would first remind him that there are 850 million people in the world who don't have enough to eat.
Annihilation has no terrors for me, because I have already tried it before I was born --a hundred million years --and I have suffered more in an hour, in this life, than I remember to have suffered in the whole hundred million years put together.
Stories are people. I'm a story, you're a story ... your father is a story. Our stories go in every direction, but sometimes, if we're lucky, our stories join into one, and for a while, we're less alone.
I put $5 million into the real-estate business when the world was coming to an end, and three years later, by 1980, I woke up and was worth a hundred. That's a lot of money back then.
One of my standard - and fairly true - responses to the question as to how story ideas come to me is that story ideas only come to me for short stories. With longer fiction, it is a character (or characters) coming to visit, and I am then obliged to collaborate with him/her/it/them in creating the story.
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