A Quote by Amy Irving
When my career first began, I didn't have children - so there's a whole lot of difference in the way I choose roles now. Not just films for my children, but how long I'm going to be away, and is Dad going to be home while I'm gone. That sort-of factor plays a part.
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I've only really had one period when I lost myself and felt like I was going to lose my career, and that was when I first began presenting 'X-Factor' spin-off 'The Xtra Factor' two years ago. I was worried if I did a rubbish job live on Saturday night TV that my music career was going to get affected and I would lose everything.
I would be excited if we could reimagine workplaces that start from a premise that women are going to be a central part: Women are going to bear children, people are going to raise those children, and it's not going to be a nuisance - it's actually going to be understood as part of the deal.
The most important difference between these early American families and our own is that early families constituted economic unitsin which all members, from young children on up, played important productive roles within the household. The prosperity of the whole family depended on how well husband, wife, and children could manage and cultivate the land. Children were essential to this family enterprise from age six or so until their twenties, when they left home.
Some of the old diseases that we think are gone - case in point, measles - are back, now that somebody has spread around, in a very wicked way, the idea that these inoculations were making children autistic. Now we're getting outbreaks that are killing children. The end result is, if you create a population that lacks immunity, and diseases are still there, you're going to get outbreaks and you're going to get death.
The deep, personal material of the latter half of your life is your children. You can write about your parents when they're gone, but your children are still going to be here, and you're going to want them to come and visit you in the nursing home.
Investing in [children] is not a national luxury or a national choice. It's a national necessity. If the foundation of your house is crumbling, you don't say you can't afford to fix it while you're building astronomically expensive fences to protect it from outside enemies. The issue is not are we going to pay - it's are we going to pay now, up front, or are we going to pay a whole lot more later on.
Any woman in any career has to think about when they have children, if they want to have children, and how it's going to affect their career.
When men come home, it is more about being part of the family, being with the children, spending more time with the children, being a strong role model. But I think going as far as cooking and putting the apron on, that takes away the masculinity, and I would miss that.
Come little children I'll take thee away, into a land of Enchantment Come little children the time's come to play here in my garden of Shadows Follow sweet children I'll show thee the way through all the pain and the Sorrows Weep not poor childlen for life is this way murdering beauty and Passions Hush now dear children it must be this way to weary of life and Deceptions Rest now my children for soon we'll away into the calm and the Quiet Come little children I'll take thee away, into a land of Enchantment Come little children the time's come to play here in my garden of Shadows
I do write a lot of children's songs, and I'm going to do a children's television show, which also means I'll be doing a lot of albums. So I do hope my future will hold a lot of things for children.
If you've got a lot of children, I think you let the other children bring them up more and you just sort of step in and do stuff like every now and again.
I think, at the end of the century we'll have a generation of parents and a generation of children who won't have had the deep satisfactions of being parents and being children in the way that they might have and are going to spend a lot of time fretting and worrying and being hovered over for nothing. The question isn't so much "What will happen in the long run?" but "What's happening to people's lives right now?"
I've always taken my love of children from my father. He was a children magnet. Suddenly, having my first child hit home what my dad went through.
The only time I think about life beyond F1 is when I contemplate becoming a dad. But there's no way that's going to happen while I'm still racing. To be successful in F1 you need to be very selfish in lots of ways and you're away from home for long periods. That's not the kind of father I want to be.
Another way of working is setting deliberate constraints that aren't musical ones - like saying, "Well, this piece is going to be three minutes and nineteen seconds long and it's going to have changes here, here and here, and there's going to be a convolution of events here, and there's going to be a very fast rhythm here with a very slow moving part over the top of it." Those are the sort of visual ideas that I can draw out on graph paper. I've done a lot of film music this way.
If our children are going to walk away from Christ, we need to raise them in such a way that they understand that to walk away from Jesus is to walk away from a life of faith, risk and adventure and to choose a life that boring, mundane and ordinary
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