A Quote by Amy Jackson

Going to India to do a film is not an everyday affair. I thought I would do that one movie to show my grandchildren when I am 60. — © Amy Jackson
Going to India to do a film is not an everyday affair. I thought I would do that one movie to show my grandchildren when I am 60.
I'm amazed. When I was 40, I thought I'd never make 50. And at 50 I thought the frosting on the cake would be 60. At 60, I was still going strong and enjoying everything.
I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film.
I was shocked. They were going to give me money to make this really odd show? Well, I still had little thought of it going to series, but I thought it was great that my next short film was going to be paid for.
I got a job as an assistant film editor, which lasted for a few years, but I found writing incredibly difficult, and I thought, 'How am I going to make a film if I can't write?' I didn't really comprehend that someone else would do that bit.
I've got a lot of examples about moments where I thought something would work on film and it didn't work, but I never came to that decision with the film half shot, where I was stuck on a runaway train and couldn't jump off. On those occasions where I have admitted defeat, that this is not going to work, I haven't embarked on that project and made that movie.
Some would ask which country am I from? We are supposed to tell the truth, [so] we tell them India. Some thought it was Indiana, not India! Some did not know where India is. I said it is the country next to Pakistan.
Going to play in India at the end of my career was particularly special. I never thought I would get the chance to even visit India, let alone play football there.
Moisturizing every night is important. When you're 50 or 60, it's going to show if you don't take care of it. You have to prepare when you're young, so you still have that healthy, glowing skin when you're 60 or 70.
Would movie moguls release a film portraying Adolph Hitler as a great benefactor of the Jews? Hardly. Would they release a movie if the black community found it to be highly disparaging? No way. You better believe these executives would also think long and hard before they released a movie offensive to American Indians, Muslims homosexuals or virtually any affinity group. Yet, to most movie industries a film which offends millions of Christians is fine and dandy.
I thought it would be a lot of fun and I wasn't going to do the movie without Johnny. The studio suggested a couple people, and I'd never met Johnny, but I thought we'd be a perfect team for this movie because we're both a little bit unpredictable.
This is a universal, unique movie, it has potential to cross barriers. But we never thought about that on set, when we were doing the film. We knew that in making a silent movie, we were doing something a little bit under the wire, a bit interdit. It's a pastiche, but for the French taste, you would have thought.
I've thought my show would be a sitcom or a talk show. Never in a million years would I have thought my show would be docu-series/reality because you always think reality is something crazy.
I think the war movie genre is a very important genre in film. Film gives you a visceral experience of something that you would never otherwise experience. To give the audience a real feeling of what maybe a certain kind of warfare would be like I thought was great.
There's another film - a little Greek movie - that hopefully is going to get some distribution here in the U.S., called 'Worlds Apart,' where I also play a 60-year-old guy who looks a lot like J.K. Simmons, who has a romantic relationship with an appropriate woman.
'The Sopranos,' for instance, is arguably the best cable show of all time. They could have made a movie, but that show ended so perfectly, it would almost be a disadvantage to make a movie like that. Then again, if you made a 'Sopranos' movie, people would be lined around the block to go see it.
If the film isn't suspenseful, i.e. the pressure cooker situation of what's going on in the movie, if that's not part of it, if the threat of violence and the temperature isn't always going up a notch every scene or so, then the movie is going to be boring. It's not going to work.
This site uses cookies to ensure you get the best experience. More info...
Got it!