A Quote by Amy Lee

I design a lot of things that I wear onstage, but I'm always looking for unique stuff. I like creative things, so anything I can find at a secondhand costume shop to a Helmut Lang store, it doesn't matter - just unique stuff.
I wear all my T-shirts from Helmut Lang with the holes in the elbows, which people always speak of. When my husband gets a hole in his sweater, at his elbow, he says, "It's very Helmut Lang!"
Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.
I love dressing up. I like going out and buying some crazy stuff. I like stuff that's new, innovative and weird. I just pick out stuff that is unique and anything that I'm really diggin'. I don't really care if it's kind of out there. That's what I'm about. I like picking stuff that is really different.
For me, I've always loved style, because I've always loved dressing different and being unique and maybe wearing stuff no one else would wear, and I feel like that really carries over into my same taste in interior design.
Helmut Lang does a lot of very military-influenced things. You have to find the designer that suits your body the best, and he works for me.
I want to be able to walk a red carpet and look great but also be able to shred onstage and move. So I tend to go for comfort over anything - I like menswear-inspired stuff but I also like getting glam once in awhile. Whatever I wear, I like it to feel very strong and very unique.
I was sometimes doing DJ stuff and working in a record shop in Tokyo. That place was a very unique shop. It was the place lots of DJs came to get used and rare records. It had a lot of jazz, funk, Latin and seventies rock.
Cesaro is a guy who does a lot of unique stuff and is a great talent. He does a lot of strong-man stuff that is just impressive to watch.
Every day, I have a parcel waiting for me at home because I have shopped something, as I have physically stopped going to places to shop. I don't shop from malls because the stuff there is very common. I like to be unique and different.
I think every business, really, has a unique reason for being, unique assets, unique attributes, a unique history. And that can be turned into a very attractive design story, essentially, that consumers can relate to.
I used to wear a lot of Helmut Lang. Painted jeans. Cropped crombies with t-shirts. A lot of V-necks. The perfect V-neck was very important.
The aesthetic came along the way, I think - just through experimenting, and going on tour, and trying stuff out on stage, having fun with it, and not taking it too seriously. If I had a ballgown at home, I'd wear it onstage. If I found something in a charity shop, I'd wear it. That's where it grew from - just wanting to play dress-up.
I think ultimately it's just time management. You're just doing a lot more stuff. You're doing the same stuff, you're writing and you're producing, but it just comes with a lot of other things. A lot of long term thinking and plotting things out for the future, bringing elements together. I have a lot of support.
The magic of 'Jack' is that it's unique, there's not a lot of stuff like it.
I'm just always looking for something that I've never done, or something that feels unique and special. A lot of it is gut and what you emotionally connect with, and that can be a variety of different things.
I don't have anything that I treasure at all. They're just things. I tend to buy an awful lot of stuff, like clothes and things. But I wouldn't be bothered if my house burns down tomorrow.
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