A Quote by Amy Lee

I love folk; that's a big part of my background. — © Amy Lee
I love folk; that's a big part of my background.
I think what makes the Byrds stand up all these years is the basis in folk music. Folk music, being a timeless art form, is the foundation of the Byrds. We were all from a folk background. We considered ourselves folk singers even when we strapped on electric instruments and dabbled in different things.
It's weird, in New York, it's like the big theme of everything is folk music and interacting with people. Maryland is where the landscape of our music comes from, it was more like, let's walk around. People are saying that we are part of some sort of folk scene. We don't feel connected with it. We do live in the city, and communicate with people. It's all folk music.
I think that anything is a form of folk music. That's just me being glib, but the thing I like the best about humans, and there are not many other things besides this, is that humans make culture. If you're an artist, a big part of folk is noticing what other people are doing and incorporating it and changing it - the way that songs warp and change over time.
Bluegrass is really a big part of my background.
If someone asked what kind of music I play, I wouldn't say I'm a folk singer; however, if folk music means music for the people, and playing music to entertain them and share different messages, then sure, I'd like to think that I'm part folk singer.
Judaism is a big part of my background, obviously, and my reality.
We had a certain kind of really big prestige among, I suppose not just intellectual folk, but a sort of nice middle class intelligent folk of a very urban nature.
As a journalist, a big part of what you do is search for drama and conflict. And a lot of the backstory with 'Billions' is grounded in my journalistic background.
Coming from an athletic background, the scientific aspect is a really big part of understanding beauty and how the body works.
One part of love is innocence One part of love is guilt One part the milk that in a sense Is soured as soon as spilt One part of love is sentiment One part of love is lust One part is the presentiment Of our return to dust
I remember the first time I was booked into a jazz club. I was scared to death. I'm not a jazz artist. So I got to the club and spotted this big poster saying, 'Richie Havens, folk jazz artist.' Then I'd go to a rock club and I'm billed as a 'folk rock performer' and in the blues clubs I'd be a 'folk blues entertainer.'
I have never denied my background or my culture. I have taught my child to embrace her Mexican heritage, to love my first language, Spanish, to learn about Mexican history, music, folk art, food, and even the Mexican candy I grew up with.
I started to develop my comedy skills when I became resident singer at the Boggery Folk Club in Solihull. My career blossomed from there, and I became a big draw on the folk-club circuit.
I love most melodic music - classical, reggae, big band, jazz, blues, country, pop, swing, folk.
I really understand what that process is all about and how important it is, especially with young folk and creative folk that love looking for some platform that makes it easier for them to express themselves.
Folk caught up in a riot aren't our cousins and sisters, our brothers and uncles. They are part of a big animal with many arms and claws, armed with stones and sticks.
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