A Quote by Amy Lowell

Moon! Moon! I am prone before you. Pity me,and drench me in loneliness. — © Amy Lowell
Moon! Moon! I am prone before you. Pity me,and drench me in loneliness.
Moon! Moon! I am prone before you. Pity me, and drench me in loneliness.
There was just one moon. That familiar, yellow, solitary moon. The same moon that silently floated over fields of pampas grass, the moon that rose--a gleaming, round saucer--over the calm surface of lakes, that tranquilly beamed down on the rooftops of fast-asleep houses. The same moon that brought the high tide to shore, that softly shone on the fur of animals and enveloped and protected travelers at night. The moon that, as a crescent, shaved slivers from the soul--or, as a new moon, silently bathed the earth in its own loneliness. THAT moon.
The sweetness of dogs (fifteen) What do you say, Percy? I am thinking of sitting out on the sand to watch the moon rise. Full tonight. So we go and the moon rises, so beautiful it makes me shudder, makes me think about time and space, makes me take measure of myself: one iota pondering heaven. Thus we sit, I thinking how grateful I am for the moon’s perfect beauty and also, oh! How rich it is to love the world. Percy, meanwhile, leans against me and gazes up into my face. As though I were his perfect moon.
The moon I see now is the same moon I saw before. Except that before, when I looked at it, it was in anticipation of what it would be like when I got there. That's behind me now.
Witch, do this for me, Find me a moon made of longing. Then cut it sliver thin, and having cut it, hang it high above my beloved's house, so that she may look up tonight and see it, and seeing it, sigh for me as I sigh for her, moon or no moon.
I am convinced that the first lyric poem was written at night, and that the moon was witness to the event and that the event was witness to the moon. For me, the moon has always been the very embodiment of lyric poetry.
It's a full moon here tonight, which makes me think of you. Because, I know that no matter what I am doing or where I am, this moon will always be the same size as yours, half a world away.
We children sat transfixed before that moon our mother had called forth from the waters. When the moon had reached its deepest silver, my sister, Savannah, though only three, cried aloud to our mother, to Luke and me, to the river and the moon, "Oh, Mama, do it again!" And I had my earliest memory.
The idea for 'Midnight Moonlight' was mostly inspired by the moon herself. Advancing from my previous EP 'Moon Shoes,' I felt it necessary to dig a little deeper into who I am and the relationship between my music and the moon.
Before I left home for drama school in England, my father took me outside one night and told me that wherever I was, the moon would shine on both of us. Months later, walking in London, I'd look at the moon and feel his love. Now I've shared the ritual with my own kids.
I am Sailor Moon, champion of justice! On behalf of the moon, I will right wrongs and triumph over evil, and that means you! - sailor moon
How much more beautiful is the moon, Slanting down the gauffered branches of a plum-tree; The moon Wavering across a bed of tulips; The moon, Still, Upon your face. You shine, Beloved, You and the moon. But which is the reflection?
The common thread between 'Moon Shoes' and 'Midnight Moonlight' would definitely be their connection to the moon. However, I feel they both capture a very different quality of the moon. Perhaps 'Moon Shoes' epitomizes the moon during the summer, while 'Midnight Moonlight' the winter.
The Moon is a white strange world, great, white, soft-seeming globe in the night sky, and what she actually communicates to me across space I shall never fully know. But the Moon that pulls the tides, and the Moon that controls the menstrual periods of women, and the Moon that touches the lunatics, she is not the mere dead lump of the astronomist. . . . When we describe the Moon as dead, we are describing the deadness in ourselves. When we find space so hideously void, we are describing our own unbearable emptiness.
The moon is whole all the time, but we can’t always see it. What we see is an almost moon or not-quite moon. The rest is hiding just out of view, but there’s only one moon, so we follow it in the sky. We plan our lives based on its rhythms and tides.
Moon, moon, when you leave me alone all the darkness is an utter blackness, a pit of fear, a stench, hands unreasonable never to touch. But I love you. Do you love me. What to say when you see me.
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