A Quote by Amy Macdonald
I arrived in London and I was terrified. I never wanted to be a celebrity - one minute I was in school and the next I was in London talking to people at a record company. If anything, I didn't feel in any way worthy.
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London has such an unbelievable respect for theater, where L.A. does not. You go to a play here, and the dude next to you is sleeping. In London, if you're not in your seat when it starts, they lock the door. In Los Angeles, you can stroll into school late with a cup of coffee. In London, you get your butt to class on time.
In the early Nineties, after my first round of financial problems, I started a studio in Kensal Road in London right at the time when no record company wanted to hear anything from Leo Sayer.
I've noticed that once you leave London you do kind of become a bit more famous. People in London are a bit too cool for school. It's not so unusual to see someone from London in the street. But outside of London people are a bit more excited to see you and come out and support you.
A lot of London's image never was. There never was a Dickensian London, or a Shakespearean London, or a swinging London.
I lived in London, went to the London School of Economics, do a lot of business in London, and have a lot of fun in London.
There are many cultural scenes in Lahore, just as there are in London. And there is a celebrity culture here, just as there is in London. But in Lahore, the celebrity scene doesn't drown out the rest quite so much.
Truly, I am a woman of the last minute. When I was pregnant, I organised three different hospitals because I couldn't decide where I wanted to have my baby: London, Rome or Paris. In the end, I decided to go to Rome, arrived on the Monday and gave birth on the Saturday.
My contract with mercury PolyGram Nashville was about to expire. And I never had really been happy. The company, the record company, just didn't put any promotion behind me. I think one album, maybe the last one I did, they pressed 500 copies. And I was just disgusted with it. And about that time that I got to feeling that way, Lou Robin, my manager, came to me and talked to me about a man called Rick Rubin that he had been talking to that wanted me to sign with his record company.
'Kraken' is set in London and has a lot of London riffs, but I think it's more like slightly dreamlike, slightly abstract London. It's London as a kind of fantasy kingdom.
I was 11 and living in Kosovo. I knew I wanted to perform but didn't feel like I could do it there. So I moved back to London on my own at 15, carried on going to school, and started posting cover songs online. I had no idea how I was going to become a performer, but I felt like I had so many more opportunities being in London.
I think one of the London Film Festival strengths is that it's set in London but it's not about London. It's about the diversity of this city and it's about world cinema. And that's what London is - London is a place where its identity is always in a state of flux. So, this festival celebrates the way in which it is always changing. That's why London is a fascinating place and that's why the film festival is a fascinating film festival.
London has become really boring. I mean, years ago, London was really happening - there was swinging London and then punk. It was really different from other cities, and so I'd always wanted to go there and see what was actually going on. After that, hip-hop was the next thing happening, so to get the records or the proper clothing, you really had to actually go to New York. But now you don't really need to go.
When we arrived in London, my sadness at leaving Paris was turned into despair. After my long stay in the French capital, huge, ponderous, massive London seemed to me as ugly a thing as man could contrive to make.
People constantly make the mistake of comparing London with New York, Milan and Paris and that's not what it's about. London has its own fashion identity. You come here to find the next Alexander McQueen or John Galliano.
In London, people can be so... well, it's not even a case of people being unkind or unfriendly. You just don't make any contact in London. You go from A to B with your eyes on the pavement.
Now I belong to this fantastic group called The London Writers Salon, which runs Monday to Friday with sessions in London, New York and L.A. and you can log in to them all and basically write in the company of 300 other people, with nobody chatting.
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