A Quote by Amy Miller
Small towns and local publications love to have a hero of some kind. For Portland, it's definitely Ian Karmel and Ron Funches, but every year now they're looking for that person. If you know they're looking for it, then you could just try to insert yourself into that position, and it's much easier than if you're in a bigger town.
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Do not be someone looking for [insert]. Be [insert] looking for someone. Suggestions for [insert]: —love —friendship —understanding —appreciation —tolerance —a helping hand —a leg up —an answer
Part of the failure of the corporate media is that they don't dig out stories anymore. They are looking down from the top floors. Media work used to be something that was down on the ground level. Now they are looking out of the windows in the top suites, and they don't know what's going on out there. And then there are the corporate owners who don't want this stuff reported because if one town learns that the next town has defeated Wal-Mart or stopped sweatshop goods, then other towns are going to want to do the same thing.
I love playing small towns, but in Sweden, it's sometimes a little bit weird, because all small towns are just so close to bigger cities that people are not as grateful when you show up as they are in Odessa, Texas.
I think it's all independent films. There aren't any! If they were looking for me when I was making Polyester, then it'd be perfect, but they're not. I'm not looking for that. TV is much bigger and better now; far more people see it.
When you know that you have to flirt with someone, when you have a date or that you're looking for someone to love or for someone to love you back, you always try to show something better than yourself. Because you want to show off, obviously, you want to show the best side of you. Instead, when you have nothing to lose, you're just yourself. And maybe this is the best part, when another person can fall in love with you.
When I really have it together, I think I successfully pull off looking like the exact middle point between Macklemore and Ron Howard, only with a much bigger forehead than either of them.
You know, I try not to look back, because looking forward is so much better than looking backward.
Forgiving is one of the most difficult things for a human being to do, but I think it means looking at some slight you feel, putting yourself in the position of the other person, and wiping away any sort of resentment and antagonism you feel toward them. Then let that other person know that everything is perfectly friendly and normal between you.
Normally if you're dating, you're looking for compatibility, and then the moment that there's incompatibility, you're like, "Well, swipe left on that, let's just keep looking." In some ways I think the same lessons apply to people that apply to objects. It's just much easier to see that lesson in things because they're these fixed intangible lumps of stuff. People are not. They can change.
Starting out, you're just doing it because you love it so much; that's what I remember about us. Looking back now, some of the things that seemed like big obstacles seem so small now - 'Wow, how will we get through this?' But we always did.
Studing jewelry gives you an incredible technical background. If you can work on very, very small things, then, I think, typically you find it easier to go bigger rather than the other way around. I think a lot of architects have struggled with small things. Whereas if you start small, it's easier to get bigger.
Every now and then it feels like it's just been a few days ago, a few weeks ago since we got started; but looking back through photographs and listening to the older albums and stuff, you can definitely feel some maturing and some distance in between the club days and where we are now
I don't want to go to a foreign country and get lumped into that genre. I'm just looking at the bigger picture. This K-pop title might be good for now, but looking ahead it could hold me back, like a prison of sort. I'm a little wary about that.
Some people, they're seeking elsewhere, looking elsewhere. I love WWE, but this is the type of wrestling that I grew up on. And every week, it's bigger and bigger. And these shows are just getting more and more special.
Lion Babe, on a work day, is definitely a process. I obviously could do it by myself, but I definitely prefer not to. It's a lot of hair. I used to start with little pieces, and then it just got bigger, and bigger, and bigger.
One of the differences between now and then is that the idea of body image is a much bigger issue now. Back then, just being kind of heavy and barrel-chested passed for heroic. Now, you wouldn't dare to play a hero without a lot of dieting and various specialised abdomen machines. But that was one of the things which was interesting about it and I did want to portray because there's good and bad.
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