A Quote by Amy Plum

My mom said I was an escapist at heart.... that I preferred imaginary worlds to the real one — © Amy Plum
My mom said I was an escapist at heart.... that I preferred imaginary worlds to the real one
Besides the alternate universe offered by a book, the quiet space of a museum was my favorite place to go. My mom said I was an escapist at heart . . . that I preferred imaginary worlds to the real one. It’s true that I’ve always been able to yank myself out of this world and plunge myself into another.
I was a real daydreamer at school, gazing out of the window and losing myself in imaginary worlds.
Art is real and imaginary, two worlds rolled into one - the fulfillment of the artist's insatiable soul.
When real nobleness accompanies that imaginary one of birth, the imaginary seems to mix with real, and becomes real too.
I had said that Le Guin's worlds were real because her people were so real, and he said yes, but the people were so real because they were the people the worlds would have produced. If you put Ged to grow up on Anarres or Shevek in Earthsea, they would be the same people, the backgrounds made the people, which of course you see all the time in mainstream fiction, but it's rare in SF.
She preferred imaginary heroes to real ones, because when tired of them, the former could be shut up in the tin kitchen till called for, and the latter were less manageable.
From the viewpoint of the writer, the most significant aspect of fantasy and science fiction is that stories of these kinds are either set in imaginary worlds or feature the appearance in the familiar world of some imaginary entity.
Ramona stepped back into her closet, slid the door shut, pressed an imaginary button, and when her imaginary elevator had made its imaginary descent, stepped out onto the real first floor and raced a real problem. Her mother and father were leaving for Parents' Night.
One might think this means that imaginary numbers are just a mathematical game having nothing to do with the real world. From the viewpoint of positivist philosophy, however, one cannot determine what is real. All one can do is find which mathematical models describe the universe we live in. It turns out that a mathematical model involving imaginary time predicts not only effects we have already observed but also effects we have not been able to measure yet nevertheless believe in for other reasons. So what is real and what is imaginary? Is the distinction just in our minds?
I had the idea that there were two worlds. There was a real world as I called it, a world of wars and boxing clubs and children'shomes on back streets, and this real world was a world where orphans burned orphans.... I liked the other world in which almost everyone lived. The imaginary world.
I had an imaginary friend. I don't know when I stopped having an imaginary friend, but my mom and everybody in my family remembers it pretty good. It's definitely true.
The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space...In such spaces as the labyrinth we cross over [between real and imaginary spaces]; we are really travelling, even if the destination is only symbolic.
The distinction between what is real and what is imaginary is not one that can be finely maintained ... all existing thing are ... imaginary.
I grabbed my mom and I went to the couch and I said, 'Mom I want to ask Jesus to come into my heart.' And I got on my knee and I asked Jesus to come into my heart, forgive me of my sins, and make me a child of God.
There are two kinds of Arctic problems, the imaginary and the real. Of the two, the imaginary are the most real.
Instead of inventing imaginary friends, I invented whole imaginary worlds. They were elaborate scenarios about spies and adventurers and top secret missions. I crawled along my swing set, searching for escape routes from my maximum-security prison; I biked through the neighborhood, the wind in my hair and a fleet of evildoers on my heels.
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