A Quote by Amy Poehler
I used to say that I wanted to make great art with people I love. Now I have an addendum to that goal: to get things on the air.
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Back in the day, I used to get really upset when people used to say that I didn't really make all my own things - like my art or my videos or whatever. I work really hard on everything, so it used to upset me when people would try to discredit me or say that I wouldn't have what I had without this person or that person.
Hollywood used to be run by artists and people who loved artists... people who wanted to make movies for all the right reasons. For the love. The Art. To tell stories. Yes to make money as well, but it was about both. Now I feel, it's mostly about bottom line and making money.
People see owning a gallery as a way to get rich. I never thought that I could get rich in the art world. I wanted a life in art. I wanted to live with artists. I wanted to make beautiful shows.
What I never wanted in art - and why I probably didn't belong in art - was that I never wanted viewers. I think the basic condition of art is the viewer: The viewer is here, the art is there. So the viewer is in a position of desire and frustration. There were those Do Not Touch signs in a museum that are saying that the art is more expensive than the people. But I wanted users and a habitat. I don't know if I would have used those words then, but I wanted inhabitants, participants. I wanted an interaction.
I've always wanted to do things differently, and if one person or ten people are doing the same, then I want to do it differently. I love to travel, I love art, I love fashion. I love going to great restaurants and trying different things. Different cultures are inspiring to me.
I get great satisfaction nowadays when people come up and say 'I used to hate you when I was little' or 'you used to make me mad' - well that was the desired effect.
If you can't do great things, Mother Teresa used to say, do little things with great love. If you can't do them with great love, do them with a little love. If you can't do them with a little love, do them anyway.
Love grows when people serve.
I would just like to say this about all the married people working together on the set: it was just a joy. That is the great joy to go to work with people that you love, whether they be people that you are in love with or people that you just love and be creative and artistic and make things that you want to send out into the world and make people feel good. It was a great environment to work in for me.
There may have been great scripts, and perfect actors to fill the roles, but those pilot projects could be stopped at an earlier point. Now, damn near anything can get on the air, but who can get people to watch? There are a lot more choices, even if you get on the air.
The only reason I went for that goal is that I wanted to say: 'Now, mummy-daddy, will you love me?'
I've always wanted to make Australian art interesting. To get a different audience watching art documentaries would be great.
I used to jokingly say, "I don't teach art. I'm an art doctor." Students come to me and say, "My art's sick," and we help them make it well.
I love the challenge of the game. I love the work. My goal right now is to have a season next year that will make people forget about this one. I'll use things like this for motivation. I'm pumped. I'm hungry.
I can't wait to get into a position to make really bad art and get away with it. At the moment if I did certain things people would look at it, consider it and then say "f off". But after a while you can get away with things.
I'm very, very specific about sneakers. I've always been a fan. It's not just certain brands, it's also the model of the shoe, the cut of the shoe, the colorway of the shoe. Someone will say, "Hey, this is the Air Jordan this." And I'm like, "Yeah, but that's not as rare as this Air Jordan, in this colorway." It gets very specific - it's the make, the model, the colorway. As a kid, I always wanted to have sneakers, but I didn't always get the ones that I wanted. So now, I'm reliving my childhood through my feet.
I used to get defensive when people asked me, 'Is it the control that you like about directing?' I used to say, 'No!' But now I'm older, I say, 'Yeah, it absolutely is!'
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