A Quote by Amy Poehler
It seems a strange thing, but once I was able to get past that kind of self-image problem, I was able to open up in my comedy work and just go all out, take chances, and have fun with the performance aspect of that.
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What really matters is the work. And what matters to me is doing the work. I'm not looking at the back end: "What am I going to get out of this? What's going to be the reward?" I'm just looking at the work, the pleasure of being able to do the work. And that's what the fun is: To climb up the mountain is the fun, not standing at the top. There's nowhere to go. But climbing up, that struggle, that to me is where the fun is. That to me is the thrill. But once that's over, that's kind of it. I don't look too much beyond that.
Comedy scares me a lot. I feel like it's way harder than drama. I think my safety net is definitely drama, and I would love to kind of be able to be able to push into the comedy world and do something kind of like a Christopher Guest kind of style show. That, to me, is my kind of comedy. Like, Ricky Gervais comedy. That's my kind of thing.
Comedy scares me a lot. I feel like it's way harder than drama. I think my safety net is definitely drama and I would love to kind of be able to be able to push into the comedy world and do something kind of like a Christopher Guest kind of style show. That, to me, is my kind of comedy. Like, Ricky Gervais comedy. That's my kind of thing.
You often hear when you talk to guys in our industry, that this is my personality, I just turn the volume up, but over the years, I've really become me. No volume turned up, no nothing. I've been able to go out there and just be myself. It's through solid performance after solid performance that people just take you for who you are.
Brad Pitt seems to have no problem getting parts that he wants, nor does Angelina Jolie. Not that I'm saying I look like either of them, but I just don't think that it has anything to do with that. It's the emotions or characters you are able to take on that will get you work, not necessarily the way you look. Obviously, beauty can open doors - it is Hollywood, after all - but that's not enough.
When I was starting out, I always wanted to be able to do everything - comedy and drama and action, and everything in between. Film is so diverse, and it's fun to be able to take advantage of all of it.
Comedy is actually very hard. It's hard to choose those moments and know when you can really push it, and know when you should be bringing it back and making it more subtle, and knowing as time goes on, as you do take after take and the crowd around you stops laughing. Whenever you do comedy, you realize you're up against - you're performing next to people who you would think are so unbelievably good at it, that that's a bit of a pressure. But at the same time, it's just fun. It's fun to be able to let out that side of you.
I would work until I got stuck, and I would put it down and pick up something else. I might be able to take a 20-minute nap and get to work again. That way, I was able to work about 10 hours a day... It was important to me to work every day. I managed to work on Christmas day, just to be able to say I worked 365 days a year.
My favorite thing about playing a vampire is the stunts. It's just a new, fun thing to do. Especially as a girl, being able to be all dolled up in heels and little outfits and be able to kick boys' butts, I think it's a really fun, make-believe world to play.
It's fun when the writers take risk regardless of the reaction that it might get, and that's fun for an actor. You're able to not just play one thing all the time.
I like to be able to go out to dinner once in a while. I like to be able to drive my MG up the McKenzie River on a weekday afternoon. I like to be able to pay my bills on time.
One's self-image and image of the future have a great deal to do with what that person is motivated to do and able to do, as well as the extent to which he is able to change his behavior.
I think actually it's kind of sad because something I looked forward to just getting to the NFL growing up was just being able to have more fun, the rules loosen up, being able to celebrate.
When the scope of the problem seems insuperable, isn't it time to call this one, give it up, and get on with life as we know it. I do know that answer to that one: that's called child abuse. When my teenager worries that her generation won't be able to fix this problem, I have to admit to her that it won't be up to her generation. It's up to mine. This is a now-or-never kind of project.
I'm not trying to denounce the visual past. It just seems impossible to me to be able to keep making the same image that I made six years ago.
An important aspect of self-compassion is to be able to empathically hold both parts of ourselves-the self that regrets a past action and the self that took the action in the first place.
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