A Quote by Amy Poehler

We [with Les Charles] started talking about hotel stories, and we found that a lot of the action was happening in the hotel bar. We actually thought of that while we were in a bar: "Why would anyone ever leave here?"
I collect hotel keys. I hope to make something out of them someday. It would be cool to make a bar at my house and, like, the bar is all the hotel keys: lay them down and put glass over them. Or maybe even a coffee table.
When we were kids, we would never open the minibar. A $6 Snickers bar? But the other day I was in a hotel and I was staring at a Snickers bar, and I finally just ate it. Then it was like something in me snapped. I opened all these drinks. I thought: I can do it now. Now I'm all grown-up. I can eat things from the minibar.
My new favorite thing is to wake up in hotel rooms, and write on the hotel pads. Usually, it's nothing. I leave it in a hotel and get really embarrassed about the maid picking it up, wondering what in the hell I'm talking about.
When Charles Dickens arrived in Boston Harbor, where he started, they had to keep it secret because there was such a mob of people expecting him, and they actually chased down his carriage at the hotel, the Parker House Hotel.
For the first movie, they had the girls in one hotel and the boys in another hotel. Then, we found out that they actually preferred their hotel, so we moved over there and all hell broke loose.
In Germany I ingested the entire contents of the hotel mini-bar before a show and stuck my fingers in this guy's nostrils because I thought they would fit.
I envisioned huge piles of the Elf Hotel flying off the belt, taking down everybody in sight. I had seen pictures of that Elf Hotel - it had sharp candy-cane spires that could easily impale someone. If anyone was ever going to be killed by an Elf Hotel, it would be my parents.
So we came to the Ritz hotel and the Ritz Hotel was divine. Because when a girl can sit in a delightful bar and have delicious champagne cocktails and look at all the important French people in Paris, I think it is divine.
As an actor, I travel around a lot and live in a lot of hotels, and many times I've been in a town where the only entertainment to be had is what you find in the hotel bar or lobby.
Don't drink in the hotel bar, that's where I do my drinking.
You know, 'Cheers,' you didn't have to leave the bar because what they were saying in the bar was important. 'All In The Family' is the same rule. On 'The Golden Girls' they didn't have to leave the table. And 'Friends' - the coffee shop. You can contain it if it's interesting.
The first time I go out to Nashville, ever (at this point I had only heard the rumors about what it's like) I had three writing sessions set up. The first two canceled on me. I was kind of pissed off at that point. So I just went back to my hotel room and started writing. And even though I've been to L.A. and experienced a lot of things, at the end of the day I just start to feel like I'm playing acoustically at the first bar I ever played at.
She left me the way people leave a hotel room. A hotel room is a place to be when you are doing something else. Of itself it is of no consequence to one's major scheme. A hotel room is convenient. But its convenience is limited to the time you need it while you are in that particular town on that particular business; you hope it is comfortable, but prefer, rather, that it be anoymous. It is not, after all, where you live.
What makes us unique is that we actually build things. Unlike most hotel companies who just manage and have no experience building, designing, and developing a hotel, we started off on the opposite track. We started off building. We're construction guys first and foremost.
A hotel mini bar allows you to see what a can of Pepsi will cost in twenty years.
The basic Roman ruin design is a pile of rocks with a little plaque saying "Roman Ruins" and a group of tourists frowning at it and wishing they were back at the hotel bar.
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