A Quote by Amy Poehler
The desire to work with Burrows-Charles was really to change NBC's identity, to say, "We want to be in the sophisticated-adult-comedy business."
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Listen, I'm a big fan of everything on NBC. When I think of comedy on TV, I really think of NBC.
The people who are competing business-wise out there want what other successful labels and artists have. I don't want what they have; I want my own path, my own sound, my own identity. Record labels care nothing about identity or artistic freedom, they want good business.
They are just really stupid people in Hollywood. You write them a script, and they say they love it, they absolutely love it. Then they say, 'But doesn't it need a small dog, and an Eskimo, and shouldn't it be set in New Guinea?' And you say, 'But it is a sophisticated romantic comedy set in Paris.'
So I told Robert from the start that if we couldn't get Charles and Max to take part, but especially Charles, that I didn't want to make the film. So would he call his mother and talk to Charles and see if Charles would at all be interested.
I think that there comes a point in the life of every young person to break away from the intimacy that they share with their parents. It is not to say that the intimacy is lost, but that it needs to change as children forge an autonomous identity and make their way into the adult world.
It's always bittersweet when you have a show that you own, that's against you. It's against one of our favorite comedies for NBC. And yes, that's part of the business model. House was on the Fox network for a number of years and was such a great business for the NBC-owned studio. That's part of what we're also trying to build. Hopefully, Mindy will help do that for us.
There are times where fans don't understand that change is inevitable or that changes are done too fast. They say, 'We like the way you used to be.' Or they say, 'We liked what you did then.' You can't stay the same. As you mature as an adult, you find out you have to keep changing in this business. It's something The Undertaker laid on me.
I worked mostly in television drama for my first few years. I just kept guesting on NYPD Blues and CSI-like stuff, so when I started getting work in comedy, a lot of people in the business would say, 'Oh - I didn't know you did comedy.'
The chance to tell personal, language-specific, culturally specific stories is really flourishing on TV and I think it's just the nature of movies and international demands that you need to get a much bigger audience. TV is more like independent film was. The forms of adult drama and certain kinds of sophisticated comedy, there's no room for them in the tentpole movie universe.
The secret of my full identity is hidden in Him. He alone can make me who I am, or rather who I will be when at last I fully begin to be. But unless I desire this identity and work to find it with Him and in Him, the work will never be done
For years and years, people would say, 'The business is changing.' And I would say, 'The business is not changing. It's exactly the same as it was in the '70s, the '80s and the '90s.' But all of a sudden, the business changed, and it really did change.
I think art is beautiful. It's decoration and adornment. But art is also a really important vessel for social change, and social change begins with thought. And so if you can find humor in something and take a moment to rethink it, you can take a step back and look at your values from a different angle. I think that's a really important way of carrying on with life. I think the best art for me is funny and the best comedy for me is art. Some of my favorite artists are comedians. Comedy is art, and art can be comedy, and the intersection is vital - at least for my own work.
The FCC was founded in 1934, and their first major action was in 1941 when they broke up NBC. NBC used to be NBC Red and NBC Blue, and they broke them up for the same exact reason: that there wasn't going to be a diversity of voices and because they were vertically integrated.
The distinction has blurred between young adult and adult books. Some of the teen books have become more sophisticated.
I don't want to speak for my movies; you could say my movies are just completely silly and dumb, but in the case of 'Idiocracy' and 'Borat,' without a doubt there is a really subversive and sophisticated assault on American culture. It's one thing to mess stuff up and break stuff, but [Borat] is really pointing out the ideology of America. It's one thing to break stuff and damage people's possessions, but when you start aiming at the ideology of America, that's dangerous comedy.
My passion lies in amazing, complex characters and really well-written stuff - not to say I wouldn't want to do a comedy if the right comedy came along... I'm an actor in Los Angeles, and I have a family I have to support.
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