A Quote by Amy Purdy

What's cool is that Oprah is the same person on stage and in front of a camera as she is off stage and behind the scenes. She speaks the same way on camera as she does off camera.
I think Rachel Maddow is quite good at what she does. I also think she's a phony who doesn't have the same passion for the truth off-camera that she seems to have on the air.
On stage I'm slightly nervous than when I'm in front of camera. Because when on the stage, the mind can't waiver but at the same time, the energy to be on the stage makes me feel alive.
My younger daughter really loves makeup. She's quite good artistically. I could see her going into something possibly behind the camera - whether it's in film or still camera for editorial stuff - but she's very taken with makeup, and she's really quite talented for as young as she is.
I think the camera was always my obsession, the camera movements. Because for me it's the most important thing in the move, the camera, because without the camera, film is just a stage or television - nothing.
I have met Mariah before and she's really cool and so funny. Everyone has been given the wrong impression of her, and maybe it is her doing. But you have to remember that celebrities are always in the spotlight and are sometimes forced to conduct themselves in a different way than they normally do. That's how it is in the business. I have met artists who are real divas, but Mariah Carey is not one of them. She is a very sweet person, and what nobody sees off camera is the real person she is on the inside.
I think I've spent more time in front of a camera than off camera. That's just the way it is.
I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
When you think Selena Gomez, you think 'celebrity.' But really, she does so many things for me. She's very caring. Before she goes on stage, she's a goofy girl. She's fun-loving and totally lovable, which I say in the most honest way. She's not even a celebrity to me; she's just a really cool person.
The camera course was a bit crap. But when I was in drama school, I wasn't interested. I wanted to be a stage actress. I was not interested in learning camera craft. But then you throw yourself in the deep end when you do get a job in front of the camera because you have absolutely no idea what you're doing, and it is a skill.
Zooming in, zooming out. I was shocked. I said, "Let's erase this right now, put the camera behind the stage and I'll do the performance just for the camera." He set up everything and I told him to go outside and smoke a cigarette. Come back when I finish. Don't touch the camera. This was the way how I've done most everything after that.
Sarah Niles is a rock. She's just great. And she's actually quite a hoot, off-camera.
It's very rare, in a movie franchise, where you have the same creative team behind the camera and in front of the camera, pretty much, for the entire growth of the franchise.
When you are interviewing someone, never let your camera person turn off the camera. The second you turn off the camera, they'll say the magic thing that you'd been looking for the whole interview. People want to relax after the performance is done. Don't be afraid of awkward silence. That is your friend.
Neil Mahoney was definitely the visionary in taking 'Freak Dance' from stage to screen. He made it more cinematic. He brought the choreography, all the ways to shoot that. I was more the director of actors. I was in front of the camera directing, and he was behind the camera directing.
Terri and her mother arrived. She was obviously a dedicated stage mother because she was loaded down with camera equipment, looking like a Japanese tourist.
You can be in an acting class all you want, but you don't fully learn until you get off that stage and in front of a camera.
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