A Quote by Amy Ray
At some point I was hanging around with the Butchies - a band I ended up playing with a lot - and it just brought out this thing in me... and it felt very different from the Indigo Girls.
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When I started out playing live, it was different. I felt good about it. Nobody knew who I was. I just opened for so-and-so. Now, I'm playing to people who are coming out to see the band. There's too much attention on the band and me.
I think the musicians I play with solo do a certain thing that the musicians we play with with the Indigo Girls don't do. It's just a different thing. And it sort of steers my writing in some ways.
Just playing with the lads in school, really, and having a kick around, and I ended up at a Sunday club just for girls, and there was only about 15- 20 girls there, and I just moved on to a club from there.
I taught myself to play guitar and sing. I ended up writing a lot of music and had a band and was playing in bars and pubs all around Sydney, going on tour. I played with some pretty big bands in Australia.
When I was a kid, I was playing in various bands - amateur bands, garage bands, weekend bands, you name it, around the area. At some point, I just wanted to try the whole 'Beatle tribute band' thing, so I found a local band that was doing that.
Every guy is different, but just prepare to know him in a different way and be OK with it, because the times I've lived with girls, and I've lived with some very sweet girls, I felt bad that they had to live with me.
My high school was the closest thing to hell on earth that exists. I was around a lot of ultra-preppy, very mean-spirited girls, and they were very cruel to me. I ended up switching schools and going to this performing arts school near Boston called Walnut Hill.
A lot of people ask how I ended up doing classical music given that I'm in a rock band. The truth is that it's the other way around. I was trained as a classical musician and then started playing in a rock band later.
I had an audition for Mary Jane Watson in 'Spiderman' and ended up playing Betty Brant in that series. I auditioned for Amy Adams' role in 'Catch Me If You Can' and, you know, ended up playing the bank teller. So there were a lot of times early on where I felt like I was always sort of the bridesmaid, never the bride - never quite right.
Playing the violin and singing and whistling are just three different ways of making sound. It's not trying to replace a band, per se. It's become a completely different thing. And it's not just simply an effect. It's just a very surprisingly intuitive thing.
I used to hear all these guys on 78s at my mother's when I was a teenager... I used to daydream that I was onstage playing the solos; I'm playing with B.B. King, and I'm playing with Lowell Fulsom, Jimmy McCracklin. And I literally ended up being in a band that backed them up at different clubs.
I enjoy playing the band as the band. I 'be' the whole band and I'm playing the drums, I'm playing the guitar, I'm playing the saxophone. To me, the most wonderful thing about playing music is that.
A lot of people come up to me all the time and say thank you for helping me be who I am. So my thing wasn't just about sexuality. It was about anyone who felt different; anyone who felt out of place. Being gay was one part of it.
In 1974 I was trying to get my first little band together. That year marked kind of a traumatic point in my life, but I had a lot of support from friends and family and a lot of good things ended up coming out of it.
I feel like the X Division, when it first started out, it was the thing that made TNA different than everything else that was on the scene. It was also the thing that brought a lot of the buzz around TNA in the very beginning.
Joining another big time rock band was the last thing I was looking for, but as the tour went on, I really dug playing to a lot of people, the band sounded great, and just being out there again, got me over my depression and so I decided to hop on board.
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