A Quote by Amy Ray
The best days I have are usually days where I'm out in the woods and something happens, like I see an amazing animal like a fox, or I get a glimpse of a wild pig or something that I never see. Or crazy things happen.
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You know and I know that as soon as it's done, you have to get it out there. You want what's best for it. And especially in owning a label, which some days is the greatest thing for me and in some days is my demise because you see the truth and the work that goes into things and you see things happen and you see things not happen, and all you want in this world of currency right now is popularity, that's it!
Hear and attend and listen; for this is what befell and be-happened and became and was, O my Best Beloved, when the Tame animals were wild. The dog was wild, and the Horse was wild, and the Cow was wild, and the Sheep was wild, and the Pig was wild -as wild as wild could be - and they walked in the Wet Wild Woods by their wild lones. But the wildest of all the wild animals was the Cat. He walked by himself and all places were alike to him
Whenever there's a red carpet event coming up my trainer in LA that I see, I always come to her like three days before and go, 'Can you make me really thin in three days?' She's always like, 'If you come to me consistently all throughout the year, then yes I can. When you come to me with three days and ask to lose 10 pounds it's just not going to happen.' I'm like, 'Do your best. Please. Make me skinny.'
I almost feel like if I didn't have the gallery and museum content it would be easy to get lost. People's attention spans are so short; they see something and it trends for a few days and then it goes away and something else comes.
When I first started working on movies as a production assistant, we were shooting 65, 75, 85 days. I mean, granted some of those things were "Godzilla," "Deep Impact," and those kinds of things, but these days it's like 30-35 days or 40-45 days and you just feel like you're humping trying to get everything done. It's like "Move on, move on, move on!" That's not the way to get the best performances or the most interesting shots. You have to constantly balance schedule and quality of work. For me, that's the biggest thing.
you are on the freeway threading through traffic now, moving both towards something and towards nothing at all as you punch the radio on and get Mozart, which is something, and you will somehow get through the slow days and the busy days and the dull days and the hateful days and the rare days, all both so delightful and so disappointing because we are all so alike and so different.
I never want to say that I had glory days. I like to think that every new year there's something great that can happen, something great will happen, whether it's a basketball thing or an off-the-court thing.
If something's going to happen for you, it will, you can't make it happen. And it never does happen until you're past the point where you care whether it happens or not. I guess it's for our own good that it always happens that way, because after you stop wanting things is when having them won't make you go crazy.
Kids are so smart these days. They sense when there's a phony bologna out there. Especially in music, when they see something that's being marketed to them, they'll call it out. They'll be like, "This chick is bullshit."
On some days in prison you might just need to get out of there, but on some days - not all days, but some - you might be able to see the sky and see the blue in it.
I think in my life I have so many things that changed so much with work and my career, and I don't really get to plan out a lot of my days. So when I have something that's familiar - just something that's there - I don't really like to switch it up.
I don't see things the way my parents do. They can look at a tree and see something amazing, whereas I just see a tree. That's not to say I don't appreciate its beauty. When I watch the sea in somewhere like Sardinia, I see the beauty in that.
I work with a group of actors, and whenever one of us has an audition, we all get together, and we all work together on it. I think it takes us back to our film school days, our drama school days, us just working together and figuring it out because somebody else is going to see something in the material that you won't see.
Some days felt longer than other days. Some days felt like two whole days. Unfortunately those days were never weekend days. Our Saturdays and Sundays passed in half the time of a normal workday. In other words, some weeks it felt like we worked ten straight days and had only one day off.
I'd never watch a horror film, but after I found out I was going to be in one, I watched, like, four of them, including The Shining, I was terrified - I couldn't sleep for days. But I wanted to get myself used to things I was going to see on the set.
When you're making a movie, you have those days that you really look forward to, and it's a little bit like Murphy's law. The days you look forward to become your hell days. The days you're dreading become these amazing days.
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