A Quote by Amy Ray

I have a lyric journal that I write in a lot. When I'm going to play, I just sit down and have my books with me and my notes and tapes and whatever I need to refer to. I just play and try different things. It's a kind of discipline.
I have a lyric journal that I write in a lot. When I’m going to play, I just sit down and have my books with me and my notes and tapes and whatever I need to refer to. I just play and try different things. It’s a kind of discipline.
I keep a journal and just kind of take notes. I don't really so much sit down and write songs - I just take a lot of notes, and sometimes I sit down and put them all together.
I carry around, like, a little journal with me and just write all the time. Not necessarily, like, actually sitting down and writing lyrics - just freeform writing, whatever's going on in my mind. I write a lot on airplanes, actually, because it's completely isolating.
I'll just sit at the piano a lot an play like through different chord exercises and kind of just throwing my hands down on the piano from one chord to the next to see what happens.
When it's time to play, I'm going to come play. I'm going to play the right way. I'm going to try to help my team in all directions, blocking and catching. If I don't have the ball in my hand, I'm going to protect, block down the field. I'm going to do whatever it takes to win.
I never sit down to write. When I'm moved, I do it. I just wait for it to come. You just hear it. I can't really describe writing. It's in my head. I don't think about the styles. I write whatever comes out and I use whatever kind of instrumentation works for those songs...A lot of people don't listen to the lyrics, really. A lot of people pretty much only listen to the chorus.
I just play, just you know, If i just sit down with the guitar and just do whatever for, you know, an half an hour or an hour whatever. That's pretty much, that should do it for me.
What Metallica always tries to do, as we go around and play a lot of the same cities, over and over again, year after year, is to give a different experience. We try to never play the same venues, or if we play indoors, we'll play outdoors, and all that type of stuff. It's always about just trying to do a different kind of experience.
If I'm feeling something, I know if it's a song, or if it's a little story that I'm going to write, or if it's a painting or play. I might sit down and write a play.
I definitely take notes, but I feel like sometimes if I take too many notes, it kind of bogs down my mind a little bit. So, I just write down stuff that I need to remember for the game.
You don’t think when you play music, you just try to play and be in it. It is the same for me when the writing is going really well. It’s the same kind of feeling. I’m just in it. It’s not the words, it’s not the sentences, I’m not aware of it. Then it’s good.
There are a lot of stereotypes to be broken which I think a lot of us are doing. What I do is, as soon as people try to pin me down to one kind of part, I'll play a very different kind of role, so it explodes that stereotype.
Most of the time, the lyrics are kind of like my secret messages to my friends or my boyfriend or my mom or my dad. I would never tell them that these songs are about them or which specific lyric is about somebody. Often, when I sit down to write a lyric, it is in the heat of the moment, and something has just happened.
The linebacker has to make multiple, multiple decisions on every play. Not only what his assignment is and what the play is, but all the way along the line, different angles, how to take on blocks, how to tackle, the leverage to play with, the angle to run to and so forth, the technique. So many different things happen in a split second during the course of the play, just like it is for a quarterback. The more of those things that you can do right, slow down, get the most important things, not get distracted by all the stuff that's happening, but just really zero in on a target.
Each time I sit down and write a play I try to dismiss from my mind as much as I possibly can the implications of what I've done before, what I'm going to do, what other people think about my work, the failure or success of the previous play. I'm stuck with a new reality that I've got to create.
I carry around a little journal with me, a little notebook and a pen and just write all the time. Not necessarily actually sitting down and writing lyrics, just free-form writing, whatever's going on in my mind.
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